Tag: Dorina

Dorina Barasab + Aesthetic

windsurfingthroughhell:

“I’m still a monster.” – Dorina Barasab + Aesthetic 

Midnight’s Daughter ch3-4

windsurfingthroughhell:

some thoughts:

– I like how LC and Dory just have such instant chemistry. Much and all as I love a slow burn relationship, the immediate connection they have is undeniably fun. The sexy teasing, the fighting, the caring about each other way too much way too quickly, like I said before, it just draws you in right away.

– these chapters introduce us to my favourite location in the entire chanceverse, Uncle Pip’s house. I love enchanted buildings, and the portals, the ley lines, the house with a personality, the incredible hulk cats – they’re so much FUN, so vivid and alive.

– I enjoy Dory’s pragmatism. For all that she’s always ready to fight, she has no problem cutting and running when necessary either.

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Dorina Basarab Appreciation Week – Favorite Quote

slightlybitchyclairvoyant:

Dorina Basarab Appreciation Week – Favorite Quote

I tugged him a little, sending a shiver through that strong frame.

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Favorite Ladies Aesthetic: Dorina Basarab

babyfairybaekhyun:

Favorite Ladies Aesthetic: Dorina Basarab

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Favorite OTP Aesthetic: Dorina Basarab/Louis-Cesare de Bourbon

babyfairybaekhyun:

Favorite OTP Aesthetic: Dorina Basarab/Louis-Cesare de Bourbon

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The Basarab Family

slightlybitchyclairvoyant:

Dorina Basarab Appreciation Week – Free Day

The Basarab Family

Nobody ever said the family didn’t know how to hold a grudge.

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Goddess by Comsat Angels

slightlybitchyclairvoyant:

Chanceverse Graphics Request – Cassie + Song Lyrics for @windsurfingthroughhell

Goddess by Comsat Angels

And I fall every time
Goddess
She’s staring at the sky
Goddess
Almost a sacrifice
Goddess
Got nature on her side
Goddess

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Some thought’s on Karen Chance’s Vampires

The first time I read the Cassandra Palmer series, I was intrigued by the Vampire system.  Basically, the Best 12 Vampires, who are so powerful that even thinking of going against them is inconceivable form the Vampire Senate.  All of these Senate members have families-these are the vampires that they have brought into their second life.  And each of the senators is accountable for the actions of their children.  And each of them are accountable for their children.   So, every one has someone to look to, for leadership and protection and everyone is accountable.  There are different levels of vampires.  There are regular vampires and then master vampires.  Master vampires have levels. They start at 8th level and each level up is an increase in power of an exponential level.  Once a vampire reaches first level master they continue to grow in power based on their age.

I thought I got this, but it wasn’t until I started reading the Dorina books that I really got it.  We get to see what the lower level vamps are like.  And it made me realize that Cassie is playing in the highest levels.  I feel sorry for her, this young Pythia having to deal with the Silver Circle mages who are 175 yrs old and a 2000 year old consul.  Even Pritkin is 2000 years old.  And Mircea is 600.  It seems a little unfair

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Experiencing a dilemma

cookie0021:

I’ve never faced before. Frankly I’m tired of love triangles. Mostly because there’s an obvious choice of who the main character’s gonna choose; mostly the reason there’s even a hint of competition is because the girl doesn’t want to hurt the non-chosen guy:

Jace or Simon—duh, Jace wins

Edward or Jacob–duh, Edward wins

Dimitri or Adrian–duh, Dimitri wins

Adam or Samuel–duh, Adam wins

Peeta or Gale–duh, Peeta wins

Barrons or V’laine–duh, Barrons wins

Bones or Tate–duh, Bones wins

Vlad or Maximus–duh, Vlad wins

And countless other I can’t even remember right now. Granted The Infernal Devices took a novel approach and has the main character get to be with both the men she loved (even though it was obvious she really really loved Will–and if forced to choose I think she would have chosen him in the end, but she got both)

My problem is: the Cassandra Palmer series.

One the one hand there’s Mircea who I admitted wasn’t in love with to begin with, but now…after everything I’ve read (including the Dorina Basarab series) I like him. I want him to be happy. I want him to be Cassie because he wants to be with her and she wants to be with him. I like him. Although I’m not too happy about where we were left with him in Tempt the Stars. I hope he’s not going to just abandon her. That doesn’t seem like the kind of man he is.

On the other hand, there’s Pritkin who I’ve kinda adored since book two, Claimed by Shadows. And my adoration for him has only gotten worse as the series has progressed. I absolutely love him. And I do think he’s gonna be the endgame. But I’m not sure.

And I’m torn.

Therein lies the problem.

I’ve never liked both of the guys for a single girl in a series. I may like a guy like say for instance Simon, but I never liked him for Clary. For Izzy, he’ll yeah, but never for Clary.

I want both Mircea and Pritkin for Cassie and I don’t know what to think.

Aaaggghh.

SO, I keep rereading this post.  And I get the overall point, even those of us that “like” both the men in Cassie’s life equally have favorites.  Sometimes, those favorites change from scene to scene but we have favorites.  So, who do we root for?   How do we want it to end…Well, I’m just gonna root for Cassie and however messily it ends up, as long as she’s happy I’ll be good…

But for the list at the beginning, I gotta say something.  I am very happy for this writer that all choices seem crystal clear.  For the rest of us, sometimes we don’t know who we are going to pick until after it has happened.    Or, if you are me, it sometimes was one person on one read but the next time its someone else…

So, maybe, its mutable.  Maybe, for some like Cat and Bones I didn’t even remember there was someone else.  But for each one of those, I have  an Anita Blake, or a Merry or a Corinne Carol-Anne Kirkpatrick.   And there are messy crazy solutions.  

And I don’t see Cassie going the way of the many loved.  At least I don’t think so.  But I’ll just keep reminding myself that I’m rooting for Cassie…and being mutable

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Dory and Dorina – what happens when you’ve been cut off from half of yourself for 500 years

redorblue:

(Not sure
whether it’s right to write about Dorina and Dory as two different characters
when we still know so little about Dorina, but anyway, here goes)

When
reading Fury’s Kiss for the first time, there were these passages that
frustrated me immensely. I can see why Dory naturally assumed that it was
Dorina attacking her in her own mind – she’s only ever “seen” Dorina that one
time at Radu’s estate, plus some jumbled memories from before the divide – and then
there’s the waking up surrounded by bodies thing… But I didn’t wanna believe
Dory. Because those few glimpses we get from Dorina’s POV just don’t fit the
picture of the bloodthirsty maniac that Dory has of her other half. Sure, she’s
good at what she’s doing, which in the situations we see her in is mainly
fighting, and also killing when necessary (no one to mourn there, though). But
so is Dory herself, and Louis-Césare, and loads of other characters.

Dory fears
Dorina based on very little actual proof, namely on her surroundings when
waking up and on what’s probably nothing more than hearsay. I doubt that Dory
has ever talked to anyone who met Dorina and lived to tell her about it except
for Mircea, and of course Dorina doesn’t react all too well to him as he is the
one who imprisoned her in her own head (with good cause, insists my inner
Mircea fan, but does Dorina know that?). And even given his, and later
Louis-Césares, scant experiences with Dorina under very stressful
circumstances, they don’t think she’s irrational, or cruel, or bloodthirsty, or
any of the things Dory assumes about Dorina. Just… good at what she’s doing…
So I wonder, as Dory was so spectacularly wrong about Dorina based on little
evidence, what was/is Dorina’s take on Dory based on pretty much nothing at
all?

Dory
speculates on this at some point, but given the situation she was in at that
point and her generally skewed perspective on this, I doubt that her views are
all that accurate. This is going into speculation territory fast, so let’s see
what Dory thinks are Dorina’s feelings about the person she shares a mind with:

“Maybe she
hated my weakness, my humanness, as much as I hated her vampire-ness […]
Maybe instead of a crawling bug, she viewed me as a more insidious kind – a leech,
taking her strength, her energy, her prowess, and squandering them.”

First of
all, Dorina doesn’t seem as preoccupied with Dory as vice versa. She doesn’t
think at all about her alter ego, which for me is something that contradicts
Dory’s assumption that Dorina has nothing but contempt for her. When Dorina
takes over their body for her nightly trips in search of the angel child, she
shows no sign of hate or anger at Dory for being handed a damaged body. She
just… rolls with it, I guess. Which she’s certainly capable of. So that
speaks against Dory’s theory that Dorina views her as something “usurping” her
body and then giving it back broken because she’s so utterly incapable. I’m not
sure how aware Dorina is while Dory is in control (although I think there must
be something subconscious going on because she fights harder to get out when
they are in danger?), but it doesn’t seem to be enough to always know what Dory’s
up to and why, so she can’t know what Dory does with their body while she’s
absent. She doesn’t seem to be too interested, either, never makes an effort to
get an explanation for the situation she’s been put in. So I think indifference
would be a better description for Dorina’s attitude toward Dory than contempt
or hate. And then there’s the fact that in Fury’s Kiss, Dorina always brings
back their body before the night is over, although she’s not technically forced
to, not being bound by the sun cycle and all. So maybe I’m over-interpreting
this, but I think it shows that Dorina tries not to mess up Dory’s life too
much and sees Dory’s goals as important, too.

“Living a life
no master vampire would have considered for so much as a moment, with no
family, no servants, no respect.”

We know
that Dorina does want a family, which is why she tried so hard to rescue the angel
child she found at the beginning of Fury’s Kiss. We also know that she tends to
look down on others, regardless of their race, and that she’s especially
suspicious and to a degree contemptuous towards vampires. But I think Dory gets
it wrong here. Dorina wants a family not/less for the prestige and power that
it brings, but because she’s lonely. Those times she comes out, she never has
the opportunity to form bonds with anyone, and most of the time she’s locked up
inside her head, so no chance at finding someone to belong with. I don’t know
what kind of power the child might have had, but it’s obvious that she doesn’t
try to find it because of what it might do to improve her status. She does it
because she feels protective, and because she hopes there might finally be
someone who doesn’t freeze in terror at the sight of her (and is therefore weak
and unattractive to her), treats her with contempt or threatens her with
imprisonment or worse.

“I wondered how
she’d felt about [dhampirs not having status]. How she’d liked having even baby
vampires look down on us, watching them insult us, denigrate us […] knowing
that we – that she – were perfectly capable of destroying the lot of them.”

Here’s
something that Dory might have gotten right because it’s something that they
share. Dorina surfaces when she senses Louis-Césare acting disrespectfully and treating
her as if she was weak, and is placated by his apology and gesture of
subordinance. Dory gets angry, too, when vampires don’t treat her as the very
capable and potentially dangerous person she is, like when she went to see
Mircea and slammed that arrogant guard through a wall. They both hate it that
they’re treated the way they are by vampire society, and they both react
accordingly, although Dory naturally assumes that Dorina’s reaction is way
worse than her own. So, the starting point for this assumption is probably correct,
but her conclusion is not. Again, I’m guessing, but as is evident from the end
of Fury’s Kiss, Dorina not only doesn’t seem to hate Dory, but develop some
kind of tentative… respect, maybe? for her other half. They cooperate when
fighting Lawrence (which is a survival necessity, yes, being of one body and
also mind, more or less) and instead of trying to subdue Dory, or in any other
way even making contact with her, Dorina vanishes after the fight, maybe
mourning her own losses. There’s no hate or contempt there, just a profound
feeling of being estranged. Which, considering the last five hundred years,
seems like a good starting point to try and move toward each other again after
being cut off from half their selves for so long.

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