Ride the Storm
Karen Chance
Fiction
Penguin
2017-08
608
Cassie Palmer can see the future, talk to ghosts, and travel through time--but nothing's prepared her for this. Ever since being stuck with the job of pythia, the chief seer of the supernatural world, Cassie Palmer has been playing catch up. Catch up to the lifetime's worth of training she missed being raised by a psychotic vampire instead of at the fabled pythian court. Catch up to the powerful, and sometimes seductive, forces trying to mold her to their will. It's been a trial by fire that has left her more than a little burned. But now she realizes that all that was the just the warm up for the real race. Ancient forces that once terrorized the world are trying to return, and Cassie is the only one who can stop them...
I have long been a Sherrilyn Kenyon fan and continue to be one. Although the newest series did not live up to my expectations, I am a fan of her worlds. I love the complex mythology and am constantly amazed by how varied her world has become. It is a vast network of various mythologies and yet somehow they all seamlessly interact. This is truly an amazing feat given that Egyptian and Greek and Sumerian Pantheons were never meant to mix. This book promised explanations of Falcyn’s origins and perhaps even his orneriness. This book did indeed explain Falcyon and his surliness.
I love the Dark Hunter world as well as the Were Hunter and Lords of Avalon worlds. I loved this book, as it returns to the stories that are as typical as a book by Sherrilyn Kenyon can be in that they are all atypical. This book was a little bit difficult for me as there are so very many story lines and interrelationships to try and keep straight. Even using the website as a cheat sheet, when the Lords of Avalon, dragon, were hunters and dark hunter worlds intersect things can become complicated and this book added in the Apollites as well. Put a cameo in by Simi and you have all the parts of Kenyon’s world in one place. It seems that this book may be a two for one in that Blaise makes a romantic connection as well.
So, my review of this book is overwhelmingly positive. My only complaint is that I have trouble keeping everything straight and that is a failing on my part but given that we book 28 and the length of some of those novels, I’m going to give myself a break. And admit I used Sherrilyn Kenyon.com as a cheat sheet when I got a little confused, but I figure that is why the character directory is there.
There is nothing in the universe the cursed dragon, Falcyn, hates more than humanity . . . except Greek humans. In a war he wanted no part of, they systematically destroyed everything he’d ever cared for. Now he waits for the day when evolution will finally rid him of the human vermin. Medea was born the granddaughter of the Greek god Apollo, and among the first of his people that he cursed to die. But she will not let anyone rule her life. Not even her notorious grandfather. And when Apollo sends a new plague to destroy what remains of her people, she refuses to stand by and watch him take everything she loves from her again. This time, she knows of a secret weapon that can stop the ancient god and his army of demons. Once and for all. However, said device is in the hands of a dragon who wants nothing to do with politics, the gods, humanity, demons or Apollites. And especially not her. He is the immovable object. She is the unstoppable force . . . When Apollo makes a strategic move that backfires, he forces Falcyn back into play. Now Medea either has the weapon she needs to save her people, or she’s unleashed total Armageddon. If she can’t find some way to control the dragon before it’s too late, Falcyn will be an even worse plague on the world than the one Apollo has set loose. But how can anyone control a demonic dragon whose sole birthright is world annihilation?
I have long been a fan of Karen Chance’s body of work. I am a loyal fan and have remained undaunted in the face of all the machinations of the publisher and publishing machine. Karen Chance has long kept the faith with her readers. She often offers free stories that add to her published works to create a more complex, multifaceted and fulfilling world in which all her novels take place. Readers who only read the novels from the publishing house lose a lot of the details and the joy of seeing the characters in multiple lights. All that being said, Karen Chance’s Cassandra Palmer novel Ride the Storm has been one of the most anticipated novels in my memory. This is not the fault of Karen Chance and that cannot be said firmly enough. The publishing house has been moving dates on this novel for over a year with little to no explanation.
The previous book, Reap the Wind was judged too long by the publisher when submitted by the author. This led to a quick rewrite and the split of the book almost in half. This also left an unfulfilled feeling at the end of Reap the Wind. Many plotlines were left hanging, which left some readers unhappy and the continuous manipulation by the publishers with moving dates and little communication lost even more of the fan base. Ride the Storm is the second half of the previous book with a little bit of newer information which furthers the plot of the Cassandra Palmer novels.
I was recently asked by a friend to explain the Cassie Palmer novels and I drew a bit of a blank—how do you explain such a complicated and multifaceted storyline as the one Karen Chance has created? I told her she just needs to read it and we will talk about it once she has. To say that all of the Cassie Palmer novels are fast paced is kind of like saying a quadruple shot espresso is a little bit energizing. These books move along at a frenetic pace and always have plot twists that are unexpected to say the least. It is impossible to have predicted where the main characters end up at the beginning of this book, let alone at the end of the book.
So much happens in this book to move the plot along that after reading it 3 times, I am still finding new details to enjoy. This is not a book to start when you have a deadline coming up or really anything planned. Depending on your reading speed and availability, you should plan to be unavailable until you can finish the book. This is not one you are going to want to put down as there are no really good stopping places. My recommendation is to start it on a Friday so you can have the weekend to take a break from reality and a trip into the Cassandra Palmer universe.
This book brings resolution to a lot of the ongoing plot lines that readers have been gnashing their teeth to know. We find out why MIrcea is so interested in Pythias. We get to see Pritkin rescued. We get to see Cassie find her feet and establish her own space independent of all the forces tearing at her. We learn more about Cassie’s parents. Dorina and Cassie finally meet. We go careening through the story and learn so much along the way that it’s hard to even begin to summarize it so I am not going to even try. Despite this, there is a seeming resolution to the love triangle between Cassie, Mircea and Pritkin but it is open ended enough that I see it more as an affirmation of the fact that Cassie has complicated emotions and feelings for both men.
This book is a solid addition to the Cassandra Palmer world and yet leaves a lot of storylines open for more exploration. It is my sincere hope that Karen Chance continues to publish Cassandra Palmer books for a very long time. In order for that to happen, fans have to not only buy this book, but review it. Talk about it with friends and build it up so that the publishers contract with Karen Chance for more Cassie Palmer books.
In the interest of full disclosure, I received an ARC ebook in return for this review.
Ride the Storm
Cassandra Palmer
Karen Chance
Paranormal
Berkeley
August 1, 2017
606
The New York Times bestselling author of Reap the Wind returns to the “fascinating world”* of Cassie Palmer. Ever since being stuck with the job of pythia, the chief seer of the supernatural world, Cassie Palmer has been playing catch up. Catch up to the lifetime's worth of training she missed being raised by a psychotic vampire instead of at the fabled pythian court. Catch up to the powerful, and sometimes seductive, forces trying to mold her to their will. It's been a trial by fire that has left her more than a little burned. But now she realizes that all that was the just the warm up for the real race. Ancient forces that once terrorized the world are trying to return, and Cassie is the only one who can stop them...
Watching this (and fearing broken ankles with each loop) I can’t helping thinking about that old quote Ginger Rogers did everything Fred Astaire did, except backwards and in high heels.
But no, if you watch closely you’ll see she doesn’t even step on the last chair. That means she had to trust that fucker to lift her gently to the ground while he was spinning down onto that chair. That takes major guts. I’d be pissing myself and fearing a broken neck if I were in her place. Kudos to her.
Okay so this is true, but a tiny part of a wider truth.
Ginger Rogers was a FUCKING BADASS. Ignore for a sec the rampant sexism in Hollywood (they once bleached her hair blonde in wardrobe without telling her beforehand), the fact that she fought her whole career against typecasting and stereotyping from fellow actors (Katharine Hepburn famously said of the Astaire/Rogers partnership “she gave him sex. He gave her class” ) for starting out in musicals, and went on to have a career lasting over fifty years, winning a Best Actress Oscar (Kitty Foyle, 1940). But… JUST focusing on the Astaire movies…
Not only did she dance “backwards” in high heels, the dances were a task in themselves. Astaire was an absolute perfectionist and choreographed for himself, so as a younger, less experienced dancer Rogers came in at a disadvantage and worked her ass off to match him.
Then there’s the filming complications… these numbers were filmed in ONE TAKE. So one thing goes wrong and you have to start over. Maybe you make a mistake or maybe your dress flies up because…
Ginger had to contend with her wardrobe. Dancing in heels is the norm at this time, but dancing in a dress designed for cinema cameras… not so much. They were heavy, embellished, uncomfortable, restrictive and cumbersome and essentially a third member of the dance, strapped to the body of one partner.Not only did she have to dance and look good, she had to control the dress too!
Take this routine from Swing Time… (it gets going proper at 1:30ish)
This dress has weights, YES WEIGHTS, sewn in to the hem to make it fly out and create a visual effect. So it’s heavy, it hurts if it hits you, and your partner gets mad if it hits him. So you gotta control it.
Well it turns out all these factors on this set, this particular day aren’t going so well. So you’re doing take after take, here’s no labour laws, so at 4am after 18 hours you’re still going, even though part of the routine requires you to spin up those curved stairs with no rail at high speed….
Okay so now back to those high heels. In Ginger’s autobiography she vividly remembers this night as the night she bled though her shoes. They did so many takes, her feet blistered, bled, and the white satin high heels she was wearing finished he night pink because they were literally full of blood. And still they keep shooting. She keeps dancing.
The take they use in the film is the last. Early hours. Bloody feet. And she spins, acts and bosses out until that last second. Because she was that professional, talented and bloody minded. This is the last set of spins…
So I say once again. Ginger Rogers was a badass.
She did everything Fred Astaire did backwards, in high heels, wearing a 20 pound dress, exhausted, injured and standing in a pool of her own blood. And watching her perform, you would never know.
Women Rule,
Fred Astaire, Ginger Rogers, Dancing,high heels, dancing backwards, exhausted, weighted dress, badass, dancing backwards, sexism, jealousy, tap dance, perfectionism, mean, angry, one take
Ride the Storm
