“Shatter the Earth” Cassandra Palmer 10 Karen Chance
Yeah. I scratched something that had imbedded itself near my hairline, and a couple bits of rubble fell out and hit the white tiled floor, making little clattering sounds. The attendant didn’t say anything, so I didn’t, either. I guessed we were both going to agree that hadn’t happened.
It was funny how you couldn’t tell now, I thought, staring. Like you couldn’t tell if a lot of the bodies around Vlad’s city of the dead were male or female, after a while. They just turned into corpses, blackened and split open, with ropes of trailing entrails festooned with maggots and dripping with unknown liquids. Mothers, fathers, lovers, friends; they were all the same in death, rotting under a cheerful blue sky . ..
Somebody had told me that war was a lot of serious tedium interspersed with moments of sheer terror, however. Which I thought described my job perfectly.
…liberated my new cat. Who looked in disbelief at my bed, which was round and so oversized that they needed a new designation for it. Orgy-sized maybe, because it could have fit ten, maybe twelve in a pinch.
You got it, I gritted out, after half a freaking hour. I had been awake for going on a day, under less than ideal conditions. My body ached, my brain was fried, and my eyes actually burned. I was going to sleep right now, damn it! Only I didn’t. I tossed and turned and tried every conceivable position. I plumped my pillow, changed it out for a different one, and then pounded that one into submission, too, before giving up and going back to the first one again. I put on a sleep mask. I took off a sleep mask, because I had black out curtains that my vamp bodyguards almost always kept closed even when they weren’t in here. I didn’t need a sleep mask, goddamnit! The problem was, I didn’t know what I needed.
Somebody had told me that warm milk helped insomnia. It sounded nasty, but I was willing to give it a try. Right now, I was willing to try anything. Of course, that required that I play the fun and exciting game of Hunt the Milk, which was no mean feat. The penthouse’s kitchen had been designed to feed a horde, with three fridges—two regular ones and a shorty under the counter—a standalone freezer, two wine coolers, another wine cooler that was used only for beer, and God knew what else. I didn’t, because I couldn’t find half of it! And what I could find, I often didn’t want
Tami, my friend and self-appointed life manager, and I had sat around one night shortly after we moved in playing “guess the item” with a couple drawers full of weird, one-use-only gadgets. We’d managed to correctly identify an avocado slicer, a carrot peeler, a pair of herb scissors, a strawberry stem remover (okay, we cheated with Google on that one) and a vertical egg cooker. Plus some stuff that even the search engine of the gods hadn’t been able to help us out with. Tami’s go-to greeting for visitors to the kitchen these days was to drag them over to the mystery item drawer and try to make them identify something.
I didn’t have an answer for her. It was one of a whole host of things I didn’t know, because this job didn’t get easier as you went along, like I’d expected. It actually seemed to be getting harder, which was a problem since I was already giving a hundred and fifty percent. Literally. I turned around and went back to bed.
Only you can’t. That’s what I’m trying to tell you.” She leaned forward and put a hand on my arm. “Everybody wants a piece of you, all the time, but you can’t give it to them. They’ll take and take, until there’s nothing left. That’s how people are—”
I seriously contemplating just sleeping where I lay. The bed had one of those down-filled mattresses that grabs your ass like it’s trying to get handsy, and then draws you down into enveloping softness.
I groaned and put a hand to my head, where it felt like I had the mother of all hangovers. And the grandmother and great-grandmother as well, I thought, trying to take stock.
Now, if you please.” Damn it, Gertie! I thought. But I stomped over anyway. “What?” “Pear?” She offered me one. I looked at it blankly. It was fat and yellow, with a blushing bottom. It was a nice pear. It also made no sense at all. “What?” “Yes, I have an apple,” Gertie said, and jerked me inside. “What are you doing?” I demanded, because this was bizarre, even for her. But she just shushed me and turned me toward the crack in the door. It was still open maybe a quarter of the way, giving us a sliver of a view, although why we needed one, I didn’t know. I needed to get back—“Watch,” Gertie said, and ate pear. I didn’t know what she was talking about, but I watched anyway. Don’t argue with teacher, I thought. Only I didn’t know what I was supposed to be watching. The little girls were the easiest to see, still facing their wall. Or most of them were. One was playing with a doll she’d smuggled out, hidden in a fold of her dress, and another had squatted down to examine a fat green caterpillar. But most of the rest were dutifully reciting something, I didn’t know what, because it was in some other language. “A test,” Gertie said, her voice low. “For what?” “To see if they can age a flower.” I looked back at her. “How? They don’t have access to the Pythian power yet.” “No, they don’t,” she agreed. “The question is, can any of them get its attention?”
Or a fight, I thought, catching sight of the rest of the courtyard. “I told you I needed to get out there!” I said to Gertie, as my acolyte faced off with her own mother. I started forward, but Gertie pulled me back, and she was surprisingly strong for an old woman
Why London had what was essentially a petri dish of plague running through the city was beyond me, but it wasn’t my main concern
He’d come back for me, all right, but to capture not to kill. He’d started grafting souls onto his body, like adding apps onto a phone, and I was supposed to be his next upgrade. There to add to his power, but with none of my own, and no say in what mine was used for. Or any way to stop the process or even to die and make the torture end.
Throughout history, the number three has been fundamental to how we understand the world. The space we inhabit is measured in length, width, and height. Time is measured in past, present, and future.” He paused, and I just sat there, expectant. Until I realized that he was smiling slightly. “What?” I asked. “What are you waiting for?” “For the rest—” I stopped, realizing that I had unconsciously been waiting—for another example. I frowned. “The third instance would be body, mind, and spirit,” he continued, “which is how we understand ourselves. But the fact that you knew—instinctively—that there was a third example indicates how our minds classify things…People have always seen the world in threes. Look at religion: Christianity is fundamentally based on the Trinity—the father, son and holy spirit. The magi gave Christ three gifts, the devil tempted him three times, and he rose from the dead after three days. Even the Christian universe is traditionally seen as having three expressions: the upper world of heaven, the middle world of Earth, and the underworld of hell…The Greeks were also particularly fond of the number: there were three Fates, three Graces, three Gorgons and three Furies. There were three brothers who ruled over three realms: Zeus, Hades and Poseidon. Artemis…is often seen as a triple goddess, a unity of the divine huntress, the Moon goddess and the goddess of the underworld… the rest of the world’s religions follow a similar pattern: the Sumerian Goddess Inanna is remembered for having spent three days and nights in the underworld. There are three main gods in Hinduism: Brahma the Creator, Vishnu the Preserver, and Shiva the Destroyer. Yggdrasil, the sacred tree of life in the Norse religion, has three roots under which are three sacred wells——not to mention how often the number shows up in the world’s imagery. The triskelion, a three-legged spiral, can be found on items dating back more than six thousand years. The Borromean rings are a centuries-old symbol of unity made up of three interlacing circles. The Valknut rune of Odin——consisting of three interlocking triangles, stood for his power. Even the old superstition of not walking underneath a ladder stems from an ancient Egyptian belief that one should not “break a triangle’. The geometry of the number three was seen as being complete and perfect, and therefore not to be disturbed—”
“When shall we three meet again?” he quoted. “In thunder, lightning, or in rain? When the hurly-burly’s done, when the battle’s lost and won.”
German Shepherd with flower
I don’t think any of my German Shepherds would let me do that to them…I keep thinking about when Fred burned the pads of his paws on the ashphalt and we bought the “shoes” at petsmart..it took him about 5 minutes to figure out how the vecro worked- he then pulled all four of them off and limped over and dropped them in my lap…now that was a German Shepherd
[Top][Top]Sometimes people like to write things about florist’s shops. Here are two things you need to know, the most egregiously wrong things.
1. It makes no fucking sense to sketch out a bouquet before you make it. Every individual flower is different in a way that cannot really be adjusted the way other building materials can be adjusted, and each individual bouquet is unique. Just put the fucking flowers together.
2. No one — in months and months of working at the flower shop — has ever cared what the flower/color of the flower means. No one’s ever asked. It’s just not something people tend to care about outside of fiction and it’s certainly not something most florists know. You know what florists know? What looks good and is thematically appropriate.
Here’s an actual list of the symbology of flowers, as professionals use it:
Yellow – for friends, hospitals
Pink – girls, girlfriends, babies, bridesmaids
Red – love
Purple – queens
White – marriage and death (DO NOT SEND TO HOSPITALS)
Pink and purple – ur mum
Red, orange, and yellow – ur mum if she’s stylish
Red, yellow, blue – dudes and small children
Blue and white – rare, probably a wedding
Red and white – love for fancy bitchesHere are what the flowers actually mean to a florist:
The Fill It Out flowers:
Carnations – fuck u these are meaningless filler-flowers, not even your administrative assistant likes them, show some creativity
Alstroemeria – by and large very similar to carnations but I like them better
Tea roses – cute and lil and come several to a stalk, a classy filler flower
Moluccella laevis – filler flower but CHOICE
Delphinium – not as interesting as moluccella but purple so okay I guess
Blue thistle – FUCK YEAH, some fucking textural variety at last! you’re getting this for a dude, aren’t you?
Chrysanthemums – barely better than carnations but better is still better
Gladiolus – ooh, risky business, someone understands the use of the Y-axis, very goodFocal points:
Long-stem roses – yeah whatever
Lilies – LBD, looks good with everything, get used as often as possible
Hydrangeas – thirsty fuckers, divas of the flower world and rightly so, treat them right and they make you look good
Gerbera daisies – the rose’s hippie cousin, hotter but no one admits it
Peonies – CHA-CHING, everybody’s absolute favorite but you need guap
Orchids – if this isn’t for a wedding you’re probably trying too hard but they’re expensive so keep ordering themYou know what matters? THE CUSTOMER’S BUDGET. THAT’S TELLING.
-$20 – if you’re not under 12, fuck off, get your sugar something else
$30 – good for bouquets but an arrangement will be lame
$40 – getting there, there’s something that can be done with that. you can get some gerbs or roses with that and not have them look stupidly solo.
$50 to $70 – tolerable
$80 – FINALLY. It sounds elitist but this really is the basic amount of money you should expect to spend on an arrangement that matters. That’s your Mother’s Day arrangement. You’re probably not going to spend $80 on a bouquet.
$90 to $130 – THE GOOD SHIT, you’re likely to get some orchids
$130+ – Weddings and death. This amount of money gets you a memorial arrangement or a handmade bridal bouquet. Don’t spend this on a Mother’s Day or a Babe I Love You arrangement, buy whosits a massage or something.Miscellaneous:
- Everything needs greening and if you don’t think that you’re an idiot.
- As a new employee, when you start making arrangements, you can’t see the mistakes you’re making because you’re brand new and you’re learning an art form from the ground up.
- With a few exceptions customers don’t have a clear plan in mind. They want you to develop the bouquet for them. They want something that will delight their little sweetbread but you’re lucky if they know that person’s favorite color, let alone flower.
- Flower shops don’t typically have every kind of flower in every kind of color. Customers generally aren’t assed about that. Most people don’t care about the precise shade of the rose or having daffodils in July, because they’re not boning up on flower language before they buy. That would imply that they’ve got a clear bouquet in mind and, again, they don’t.
- Being a florist is essentially a lot like what I imagine being a mortician is about. You’re basically keeping dead things looking good for as long as possible. You keep the product in the fridge so it doesn’t rot and look horrible by the time the family gets a whack at it, and in the meanwhile you put it in a nice container.
Anyway that’s flowers.
this is magnificent and I love hearing about ppl job feilds
When I first encountered the literary classic Lolita, I was the same age as the infamous female character. I was 15 and had heard about a book in which a grown man carries on a sexual relationship with a much younger girl. Naturally, I quickly sought out the book and devoured the entire contents on my bedroom floor, parsing through Humbert Humbert‘s French and his erotic fascination for his stepdaughter, the light of his life, the fire of his loins — Dolores Haze. I remember being in the ninth grade and turning over the cover that presented a coy pair of saddle shoes as I hurried through the final pages in homeroom.
Although I remember admiring the book for all its literary prowess, what I don’t recall is how much of the truth of that story resonated with me given that I was a kid myself. Because it wasn’t until I reread the book as an adult that I realized Lolita had been raped. She had been raped repeatedly, from the time she was 12 to when she was 15 years old.
As a young woman now, it’s startling to see how that fundamental crux of the novel has been obscured in contemporary culture with even the suggestion of what it means to be “a Lolita” these days. Tossed about now, a “Lolita” archetype has come to suggest a sexually precocious, flirtatious underage girl who invites the attention of older men despite her young age. A Lolita now implies a young girl who is sexy, despite her pigtails and lollipops, and who teases men even though she is supposed to be off-limits.
In describing his now banned perfume ad, Marc Jacobs was very frank about the intentions of his sexy child ad and why he chose young Dakota Fanning to be featured in it. The designer described the actress as a “contemporary Lolita,” adding that she was “seductive, yet sweet.” Propping her up in a child’s dress that was spread about her thighs, and with a flower bottle placed right between her legs, the styling was sufficient to make the 17-year-old look even younger. The text below read “Oh Lola!,” cementing the Lolita reference completely. The teenager looks about 12 years old in the sexualizing advertisement, which is the same age Lolita is when the book begins.
And yet Marc Jacobs’ interpretation of Lolita as “seductive” is completely false, as are all other usages of Lolita to imply a “seductive, yet sweet” little girl who desires sex with older men.
Lolita is narrated by a self-admitted pedophile whose penchant for extremely young girls dates all the way back to his youth. Twelve-year-old Dolores Haze was not the first of Humbert Humbert’s victims; she was just the last. His recounting of events is unreliable given that he is serially attracted to girl children or “nymphets” as he affectionately calls them. And his endless rationalizing of his”love” for Lolita, their “affair,” their “romance” glosses over his consistent sexual attacks on her beginning in the notorious hotel room shortly after her mother dies.
This man who marries Lolita’s mother, in a sole effort to get access to the child, fantasizes about drugging her in the hopes of raping her — a hypothetical scenario which eventually does come to fruition. Later on as he realizes that Lolita is aging out of his preferred age bracket, he entertains the thought of impregnating her with a daughter so that he can in turn rape that child when Lolita gets too old
Lolita does make repeated attempts to get away from her rapist and stepfather by trying to alert others as to how she is being abused. According to Humbert, she invites the company of anyone which annoys him given that the pervert doesn’t want to be discovered. And yet, he manipulates her from truly notifying the authorities by telling her that without him — her only living relative — she’ll become a ward of the state. By spoiling her with dresses and comic books and soda pop, he reminds her that going into the system will deny her such luxuries and so she is better off being raped by him whenever he pleases than living without new presents.
Given that Humbert is a pedophile, his first-person account is far from trustworthy when deciphering what actually happened to Lolita. But, Vladimir Nabokov does give us some clues despite our unreliable narrator. For their entire first year together on the road as they wade from town to town, Humbert recalls her bouts of crying and “moodiness” — perfectly understandable emotions considering that she is being raped day and night. A woman in town even inquires to Humbert what cat has been scratching him given the the marks on his arms — vigilant attempts by Lolita to get away from her attacker and guardian. He controls every aspect of her young life, consumed with the thought that she will leave him with the aid of too much allowance money or perhaps a boyfriend. He interrogates her constantly about her friends and eventually ransacks her bedroom revoking all her money. Lolita is often taunted with things she desires in exchange for sexual favors as Nabokov writes in one scene:
“How sweet it was to bring that coffee to her, and then deny it until she had done her morning duty.”
Lolita eventually does get away from her abusive stepfather by age 15, but the fact that she has been immortalized as this illicit literary vixen is not only deeply troublesome, it’s also a completely inaccurate reading of the book. And Marc Jacobs is not alone in his highly problematic misinterpretation of child rape and abuse as “sexy.” Some publications and publishing houses actually recognize the years of abuse as love.
On the 50th anniversary edition of Lolita, which I purchased for the sake of writing this piece, there sits on the back cover a quote from Vanity Fair which reads:
“The only convincing love story of our century.”
The edition, which was published by Vintage International, recounts the story as “Vladimir Nabokov’s most famous and controversial novel” but also as having something to say about love. The back cover concludes in its summary:
“Most of all, it is a meditation on love — love as outrage and hallucinations, madness and transformation.”
“Love” holds no space in this novel, which details the repeated sexual violation of a child. Although Humbert desperately tries to convince the reader that he is in love with his stepdaughter, the scratches on his arms imply something else entirely. Because the lecherous Humbert has couched his pedophilia in romantic language, the young girl he repeatedly violated seems to have passed through into pop culture as a tween temptress rather than a rape victim.
Conflating love or sexiness with the rape of literature’s most misunderstood child is dangerous in that it perpetuates the mythology that young girls are some how participating in their own violation. That they are instigating these attacks by encouraging and inciting the lust of men with their flirty demeanor and child-like innocence.
Let it be known that even Lolita, pop culture’s first “sexy little girl” was not looking to seduce her stepfather. Lolita, like a lot of young girls, was raped.
Source: http://www.mommyish.com/2011/11/16/lolita-novel-sex-rape-pedophilia-541/2/#ixzz3N4PFEyex
I was going through this at age 11 when i got my hands on the book, and i never read it as sexual. I cried and related to her on such a deep level. Anyone who thinks lolita is a love story is gross.
Too real. Lolita means so much to me, because I was raped by an older adult man when I was 15 and years later when I came forward about it people said it was my fault because I flirted with him. A friend of his even teased me with the comment “weren’t you his little Lolita?” Lolita. Is Not. A love story. The continuous sexual abuse of a teenage girl is not love.
What chaps my ass is that NABOKOV didn’t see it as a love story. He found Humbert repugnant and went out of his way to make him so.
He hated that people saw it as romantic when he’d meant to write a fucking horror novel.
I hate when people call themselves Lolita or that fucking Lana del Rey song.This book is about a little girl being raped constantly and they make it seem like a seduction or tease.Please people read this article or read what the book really is this story makes my gut churn.I was being molested as a kid and had mental games played on me.Please Please Please to save another persons life stop romanticizing this story let people know this isn’t no old century love this is rape
Rape is never ok. Nor is a relationship between an adult and a child. I read a lot but it is imperative that this be a truth of our age. Too many people refuse to stand up to protect that truth. Many of my favorite heroines were abused as children.
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