Tag: MAGIC

Dorina Basarab Appreciation Week – Favorite Quote

slightlybitchyclairvoyant:

Dorina Basarab Appreciation Week – Favorite Quote

I tugged him a little, sending a shiver through that strong frame.

Favorite Ladies Aesthetic: Dorina Basarab

babyfairybaekhyun:

Favorite Ladies Aesthetic: Dorina Basarab

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Favorite OTP Aesthetic: Dorina Basarab/Louis-Cesare de Bourbon

babyfairybaekhyun:

Favorite OTP Aesthetic: Dorina Basarab/Louis-Cesare de Bourbon

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The Basarab Family

slightlybitchyclairvoyant:

Dorina Basarab Appreciation Week – Free Day

The Basarab Family

Nobody ever said the family didn’t know how to hold a grudge.

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Goddess by Comsat Angels

slightlybitchyclairvoyant:

Chanceverse Graphics Request – Cassie + Song Lyrics for @windsurfingthroughhell

Goddess by Comsat Angels

And I fall every time
Goddess
She’s staring at the sky
Goddess
Almost a sacrifice
Goddess
Got nature on her side
Goddess

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CtD, ch27-28

windsurfingthroughhell:

The final countdown (spoilers):

– chapter 27 – As a general rule, I don’t like the ‘he couldn’t help himself’ trope when it comes to sex, but I think Pritkin losing control like that is understandable. I mean how long has it been since he’s fed that much? We’ve seen in some of the Pritkin shorts how the yearning to feed is still tormenting him very frequently, so while it’s freaky, I get why he was overwhelmed for a moment. The important part for me though, is that he did stop, before Cassie even had to tell him – it’s no wonder she trusts him not to hurt her in HtM. I love how this really intense sequence between Cassie and Pritkin is then balanced by the lighter scene where Dee and Cassie talk Pritkin into disguising himself in drag to escape. IMO one of KC’s greatest talents is the way she blends genres – in the space of two chapters we get drama, romance, comedy and action, it just never gets boring. Although how could we possibly get bored when we have Pritkin RUNNING UP FIVE FLIGHTS OF STAIRS WHILE CARRYING CASSIE. Once again, weirdly hot. Does this qualify as fan service?

– chapter 28 – Sal, oh Sal 🙁 I really liked her you know? Not just because she was introduced as something of a bimbo and then turned out to have hidden depths (love seeing that trope subverted) but also because poor Cassie, she doesn’t get that many female friends. I mean, that’s definitely being remedied, with the introduction of her court and Rhea and Tammy being more involved, but in the beginning at any rate, Cassie’s girl time was pretty limited. That’s why for me, Sal’s betrayal and death is a particularly hard blow. At least Cassie still has Françoise, whom I love.

I think it’s appropriate that Apollo’s ultimate end is fairly ignominious. As Cassie says later, they did the metaphysical equivalent of flushing him down a toilet, and they did it pretty quickly. But this is something that happens a lot in the Cassie books – you’ve got a grand standing, melodramatic villain and in the end, they’re beaten in some almost anti-climactic way, by someone who seems way weak than them (see also – Olga killing Dracula). It’s the classic David and Goliath, Frodo and Sauron story. In these books, power is no guarantee of victory.

Last thing: the Mircass conversation right at the end. So, I’ve made it pretty clear that I do not like the way Mircea and Cassie interact in this book, but this scene isn’t too bad. I like seeing Cassie laying down some ground rules, trying to tackle the communication problems at the heart of their relationship. On the other hand, if you read closely, Mircea doesn’t actually agree to anything. He asks Cassie if she wants him to ‘court’ her, but doesn’t say that he will. He asks her if she can get to know him in their current kind of relationship and she says, tellingly, “Not and keep a clear head.” Whether deliberate or not, the constant sexy times between the two of them does seem to be preventing Cassie from getting to know him. But he still doesn’t actually agree?? I mean, I know he’s a vampire and it’s not in his nature to be direct but for crying out loud, would it kill him to say, ‘yes, we’ll slow down, if it makes you more comfortable’? If he really cares for her, why can’t he just give her that, it’s not that big a request. When Cassie does imply that she finds their relationship too sexual for the time being, he deflects, and suggests that Cassie’s insecurities about their relationship are somehow Pritkin’s fault. Uh, wtf? You know what, I take it back. I do have a problem with this scene. Anyway. I love the ending – “You shaved my legs?” Iconic.

Ok, so here we go again.  All bad comments are my own.  Please know that I am not trying to tear anyone’s opinion apart.  I am just trying to keep a dialog going…

AS for Pritkin-here is my take.  At the start of the series he is a complete and total jackass.  I don’t know whether this is just his mad at the world vibe, or if his death wish hadn’t calmed down.  It’s pretty clear to me that he’s had a rough time of it.  I think that’s why so many people are so adamant in their love of Pritkin.  He’s just so damaged, and sigh worthy.  and his relationship with Cassie is something that pushes his boundaries and makes him look at his own growing feelings, but that is another day.  This is one of the first times he tries to sacrifice his life in service to Cassie.  Sometimes, I think that is Pritkin’s go to response.  Feel attracted to Cassie? Find a way to get her to leave him behind.  Find yourself taking cold showers after practicing swordwork?  Make a trip to Fairie and get nearly gutted…but I digress.  Here he tricks her, saying he can heal himself to get her to reswap bodies.  And then uses the mistaken belief from the mages to his advantage in the duel with Saunders.

I love the triple D’s.  From their first introduction, I adore them.  And boy do they come through!  And I love the fact that THOSE shoes are fitting, if they have to break her toes!

Sal, oh man.  Sal.  Just when we think Cassie is finding her feet, the rug is pulled out from under her.  Shouldn’t there be a limit to heartbreak?  Only so much before the bank is full…

I think that Cassie does excellent with dealing with the men of her life.  She may be married to Mircea, but damn it they are going to date!  She may need John all the time, because she know very little magic, but damned if shes going to let him control all of her life.  She’s got a good head on her shoulders, and despite the fact that they are several hundred years older.  Of course, Mircea’s going to have the upper hand in any discussion.  Despite that, I think she gives Mircea a challenge.  And here is this 20 something ball of fire who treats Mircea as a man when he is so very used to being the authority figure…

That’s it for now…gotta sleep

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CtD, ch18-20

windsurfingthroughhell:

Time for another cvgr speed commentary, body swap edition. The body swap is definitely my favourite part of this book and possibly one of my all time favourite sequences in the entire series. I’d pay big money for Pritkin’s POV while he was in Cassie’s body (if only Karen was on Patreon or something …) because this whole thing is just so funny, so messed up and touching and weirdly sexy at times. Pretty much typical Cassie Palmer right?

– chapter eighteen – Cassie’s initial reaction to Pritkin in her body is pretty hysterical. “I sounded like a very pissed off little girl.” Pritkin’s reaction to being in the wrong body is probably close to what mine would be like – shocked, appalled etc. His accent staying more or less the same makes sense I guess? Accents aren’t necessarily ingrained at a muscle memory level, we can change them very easily. Him keeping any metaphysical abilities he has, like good shields etc also makes sense because we know they’re a mental manipulation of the body’s magic.

– chapter nineteen – much and all as I love that Pritkin kicks ass even when in Cassie’s body – why is it so hot when he shoots people?? I definitely have issues – I would question the fact that his hand-eye coordination seems to have transferred along with his spirit. Cassie’s aim is far to bad to take that many people out with that kind of precision, right? I guess they were in close enough quarters that it didn’t matter. Anyway, I like our introduction to Jonas Marsden. It’s appropriately off key. I also like the way KC prepares the way for important introductions like this long before they ever happen – in Jonas’ case, we’ve already heard about him back in CbS. This is why I never trust what seems like random rambling, or irrelevant details in these books because they always, always come back in some way. This chapter also features the usual top Casskin banter – their arguments about the coffee and the training sessions are so fricking married, like for real, get a room.

– chapter twenty – more Casskin marriedness, their every interaction kills me. Cassie rubbing Pritkin’s back while he gets sick is just so weirdly cute? I mean I know it’s a pretty gross situation, but that’s what makes it so couple-y, that rather than being grossed out at all by Pritkin throwing up, Cassie’s instinct is to take care of him. Everything they do HURTS ME. ALSO ALSO I am not the only one who thinks they’re acting like a couple because Jonas very obviously thinks they’re together, see how surprised he is when Cassie doesn’t want to share a bed with Pritkin. More reasons to love the body swap – the classic line, “No Miss Palmer, what is bizarre is that I currently have a vagina.” I’ve been laughing at that comment since 2009. But great and all as that moment is, nothing but NOTHING will ever top Cassie waking up in Pritkin’s body with a hard on. Her panic at the whole situation is so completely believable and entirely hilarious, but at that the same time, it’s a weirdly erotic scene. She’s just so aware of his body, it brings out her latent attraction to him: “He’d be strong” is so hot I might evaporate. Also, we should start doing a group read drinking game – take a sip every time Cassie describes Pritkin’s hands, take a shot every time she talks about how green his eyes are and finish your drink if she mentions his hair being soft and/or terrible. Or maybe we should not play that game, because it sounds like a quick route to alcohol poisoning. For real though, Cassie has SUCH a crush, it’s killing me. And to top it all off, Pritkin knows exactly what she’s suffering and he thinks it’s hilarious. What a little bastard, I love him.

Ok, SO I know you are in love with Pritkin.  I get that.  I’m all for anyone who connects with the story in any way.  But I have a little bit of a different read on all this.  SO rather than assume that everyone knows whats going on in my head, I’m gonna spell it out.

Cassie is a young woman.  And despite the fact that she is pretty kick ass even from the beginning she hasn’t had a lot of experience with men.  Remember, that her very first sexual experience is IN Louis-Caesar.  and he was already, um, well very engaged in the sex act.  The geis has made sure that she’s married and has to have a three way with two people- I just said that sentence three times and it still doesn’t sound right, before she has had a chance to find her sexual feet.  

And Cassie didn’t start off in the “easy” dating pool-oh no she had to go for the biggest, baddest, most combustible men- First there’s Tomas, although he is pretty tame by comparison to the later love interests, he is a first level vamp, who was strong enough to play human for Cassie for 6 months and challenge the CONSUL of THE LATIN AMERICAN SENATE.  And he is her first sexual partner, although its rushed and co-opted by Apollo.  Then, there’s Mircea Basarab who has been the right arm of the Consul for a very long time-and it goes back to when he was a Prince in Romania.  And if you read Masks, he trained to become a great lover of vampires.

And, John Pritkin is half incubus too.  And he has had lots of experience before Rossier got his hands on her.  SO for Cassie, this body swap is in many ways a revelation.  It’s the first time that she has a sexual experience that is free of the heavyweights that are in her bed.  She doesn’t even get to masturbate without participation with Mircea via his mind skills.  And suddenly, shes in a male body.  And she gets to explore it, without anyone else rushing her,  

But even that gets ruined by Pritkin’s knowing smile and interruption.  SO I look at it as more about Cassie.  And damn does she deserve the time to learn about pleasure- although from inside one of the men is a little bit weird but hey it’s a pythia thing!  And what I loved most about the whole body swap was the whole thing AFTER they got back to Dante’s.  When Mircea kisses Cassie in Pritkin’s body….and the whole battle confusion and the run through the wild west and the way the body swap fucks Saunders up…

So that’s my two cents.  Sorry if you don’t like it.  Tell me where I’m wrong, ok?

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Feast’s Famine by Debra Dunbar

I really enjoy all of Debra Dunbar’s works.  She has a unique voice.  I don’t think any of the characters from any of her series would have occurred to me in a million years, but they work.  There are 2 main series that she writes and they are completely different worlds.  Her Imp world series follows the bizarre and sometimes slightly bad but always hilarious life of Samantha Martin, a low level imp from hell who just wants to slip under the radar and somehow manages to attract the attention of the archangels and end up in charge of Hell.  And yeah that sentence was as bizarre as it sounded.  That would ends up incorporating all kinds of other creatures, from elves who decided to live in hell after the big war, to nephilim (children of an angel and a human and totally illegal) to vampires.  And so there are a few spin-offs from that world, and all are worth a read.  I promise you will laugh at things that make no sense outside of the context of the story-I learned that the hard way.  I tried to share a couple of quotes with people and got horrified looks.  SO, I just recommend the books now, I don’t even try to explain them.  But that is only one of the series Debra writes.  

SO on, to the second series, which Feast’s Famine is the 4th book of.  This is the Templar series, and much like the Imp series they revolve around a young woman heroine.  These books revolve around  Solaria Ainsworth, who was raised in a family of Knights Templar.  The Knights Templar are holy warriors, blessed by god to protect the temple, its artifacts and the pilgrims on the path to salvation.  And they have done this for a long time and built up huge libraries of vast knowledge and they are bound to help all those who seek them out.  They have grown rich by protecting and preserving their charges.  And Solaria has been raised to become a knight, which means that she has been trained in swords and fighting in all styles.  But when it comes, time to take her place among the others, she balks.  And ends up living in Baltimore, working in a coffee shop.  And through a series of events, ends up involved with mages and vampires and all kinds of supernatural craziness and LARPing too!  Solaria ends up becoming the Templar protecting the city of Baltimore in her spare time and involved with the vampires too!

Feast’s Famine is the fourth book in the series and delivers the same pace of crazy events.  It opens with a medieval tournament and speeds along from there.  There is a disease demon in Baltimore and he’s created a unique disease along with all the usual suspects, including the Black Plague.  This disease causes a person to have insatiable hunger.  And the group of humans that have been infected are willing blood donors to the vampires, and this virus can infect the vampires too! And vampires with insatiable hunger could cut quite a swath across a modern city.  

This creates an urgency to Aria’s investigation.  And it doesn’t help that she has finally crossed the line into an inter species sexual relationship with Dario, a powerful vampire.  It’s a fun read and a great addition to the series!

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exinaart:

Daily Quotes #1082

Masks by Karen Chance

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Dory and Dorina – what happens when you’ve been cut off from half of yourself for 500 years

redorblue:

(Not sure
whether it’s right to write about Dorina and Dory as two different characters
when we still know so little about Dorina, but anyway, here goes)

When
reading Fury’s Kiss for the first time, there were these passages that
frustrated me immensely. I can see why Dory naturally assumed that it was
Dorina attacking her in her own mind – she’s only ever “seen” Dorina that one
time at Radu’s estate, plus some jumbled memories from before the divide – and then
there’s the waking up surrounded by bodies thing… But I didn’t wanna believe
Dory. Because those few glimpses we get from Dorina’s POV just don’t fit the
picture of the bloodthirsty maniac that Dory has of her other half. Sure, she’s
good at what she’s doing, which in the situations we see her in is mainly
fighting, and also killing when necessary (no one to mourn there, though). But
so is Dory herself, and Louis-Césare, and loads of other characters.

Dory fears
Dorina based on very little actual proof, namely on her surroundings when
waking up and on what’s probably nothing more than hearsay. I doubt that Dory
has ever talked to anyone who met Dorina and lived to tell her about it except
for Mircea, and of course Dorina doesn’t react all too well to him as he is the
one who imprisoned her in her own head (with good cause, insists my inner
Mircea fan, but does Dorina know that?). And even given his, and later
Louis-Césares, scant experiences with Dorina under very stressful
circumstances, they don’t think she’s irrational, or cruel, or bloodthirsty, or
any of the things Dory assumes about Dorina. Just… good at what she’s doing…
So I wonder, as Dory was so spectacularly wrong about Dorina based on little
evidence, what was/is Dorina’s take on Dory based on pretty much nothing at
all?

Dory
speculates on this at some point, but given the situation she was in at that
point and her generally skewed perspective on this, I doubt that her views are
all that accurate. This is going into speculation territory fast, so let’s see
what Dory thinks are Dorina’s feelings about the person she shares a mind with:

“Maybe she
hated my weakness, my humanness, as much as I hated her vampire-ness […]
Maybe instead of a crawling bug, she viewed me as a more insidious kind – a leech,
taking her strength, her energy, her prowess, and squandering them.”

First of
all, Dorina doesn’t seem as preoccupied with Dory as vice versa. She doesn’t
think at all about her alter ego, which for me is something that contradicts
Dory’s assumption that Dorina has nothing but contempt for her. When Dorina
takes over their body for her nightly trips in search of the angel child, she
shows no sign of hate or anger at Dory for being handed a damaged body. She
just… rolls with it, I guess. Which she’s certainly capable of. So that
speaks against Dory’s theory that Dorina views her as something “usurping” her
body and then giving it back broken because she’s so utterly incapable. I’m not
sure how aware Dorina is while Dory is in control (although I think there must
be something subconscious going on because she fights harder to get out when
they are in danger?), but it doesn’t seem to be enough to always know what Dory’s
up to and why, so she can’t know what Dory does with their body while she’s
absent. She doesn’t seem to be too interested, either, never makes an effort to
get an explanation for the situation she’s been put in. So I think indifference
would be a better description for Dorina’s attitude toward Dory than contempt
or hate. And then there’s the fact that in Fury’s Kiss, Dorina always brings
back their body before the night is over, although she’s not technically forced
to, not being bound by the sun cycle and all. So maybe I’m over-interpreting
this, but I think it shows that Dorina tries not to mess up Dory’s life too
much and sees Dory’s goals as important, too.

“Living a life
no master vampire would have considered for so much as a moment, with no
family, no servants, no respect.”

We know
that Dorina does want a family, which is why she tried so hard to rescue the angel
child she found at the beginning of Fury’s Kiss. We also know that she tends to
look down on others, regardless of their race, and that she’s especially
suspicious and to a degree contemptuous towards vampires. But I think Dory gets
it wrong here. Dorina wants a family not/less for the prestige and power that
it brings, but because she’s lonely. Those times she comes out, she never has
the opportunity to form bonds with anyone, and most of the time she’s locked up
inside her head, so no chance at finding someone to belong with. I don’t know
what kind of power the child might have had, but it’s obvious that she doesn’t
try to find it because of what it might do to improve her status. She does it
because she feels protective, and because she hopes there might finally be
someone who doesn’t freeze in terror at the sight of her (and is therefore weak
and unattractive to her), treats her with contempt or threatens her with
imprisonment or worse.

“I wondered how
she’d felt about [dhampirs not having status]. How she’d liked having even baby
vampires look down on us, watching them insult us, denigrate us […] knowing
that we – that she – were perfectly capable of destroying the lot of them.”

Here’s
something that Dory might have gotten right because it’s something that they
share. Dorina surfaces when she senses Louis-Césare acting disrespectfully and treating
her as if she was weak, and is placated by his apology and gesture of
subordinance. Dory gets angry, too, when vampires don’t treat her as the very
capable and potentially dangerous person she is, like when she went to see
Mircea and slammed that arrogant guard through a wall. They both hate it that
they’re treated the way they are by vampire society, and they both react
accordingly, although Dory naturally assumes that Dorina’s reaction is way
worse than her own. So, the starting point for this assumption is probably correct,
but her conclusion is not. Again, I’m guessing, but as is evident from the end
of Fury’s Kiss, Dorina not only doesn’t seem to hate Dory, but develop some
kind of tentative… respect, maybe? for her other half. They cooperate when
fighting Lawrence (which is a survival necessity, yes, being of one body and
also mind, more or less) and instead of trying to subdue Dory, or in any other
way even making contact with her, Dorina vanishes after the fight, maybe
mourning her own losses. There’s no hate or contempt there, just a profound
feeling of being estranged. Which, considering the last five hundred years,
seems like a good starting point to try and move toward each other again after
being cut off from half their selves for so long.

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