Tag: reread

the interminable wait for book _______

So, here’s the thing.  I am a reader.  And with the advent of new technology, I can have my phone read to me while I do a gazillion other things…So, due to the fact that I had a speed reading class in high school and …well I consume books.  And quickly.  It makes Tuesdays my favorite day.  And I have a lot of series I follow.  So Karen Chance is one among the many for me.  And at first I was Seriously mad at the delays and changing publication dates.  

But in the last year, I have come to realize that my book’s are a coping mechanism.  They give me something to hold on to.  Something to talk about.  Something to occupy the 60% of my brain that keeps screaming this can’t be my life.  And to let me be somewhat calm, and positive.  At least I’m not being chased by monsters, only creditors!  And yes, I am a widow with two beautiful teenage daughters.  Which means that I am scared to bring any man home because I am very careful about my blue eyed, blonde haired beautiful brilliant children are exposed to.  And I had a great husband which means I am not willing to settle for anything else.  So I read a lot of very explicit series cause that’s my only sexual release.

So I read Laurell K Hamilton and lots of others.  But here’s the thing.  We have to support our authors.  The publishing business is hard.  And they create these amazing worlds and characters we all.love.   And for them the creation process is amazingly complex with first drafts and then edit after edit.  Some people get really nasty about these amazing works of creation.  And I understand that, too.  I love the main characters in my books.  They are like friends who I visit with every time I read the book.   And I hate some of the things that happen.  In a way even the violently negative feedback is a compliment to the author.  But why should they keep spending 6-8 hours a day writing for us if we just bitch about it.  Why do the work of edit after edit?  

I am making a stand.  Laurell K Hamilton won’t publish when her next book will be out or which series it will be.  Why should she? Her fans will wail and whimper.  If she just publishes it and tells us after the last draft is finalized, she gets to bypass all the people mad when she misses a date!  And poor Karen Chance, who keeps trying to put out book 8-but the book is too long for paperback.  And then there’s the other stuff she writes.  Freebie’s that are hard work for her but taken as though they are due to the readers.  Ever since Karen published Book 7, with delays, she has been working hard to give us a good book 8.  And what do the readers do? Some of us go back and reread.  Look for all the nuances we keep missing in the race to find out what happened.  And then another group gets vocal-and trashes Karen Chance for missing publicized release dates.  Rather than doing that, I’m doing the opposite.

I am going to support my favorite authors.  I don’t care how long I have to wait for the next installment.  I’m going to send them messages, asking questions about the books I have.  I’m going to reread, and laugh and cry and scream and yell.  I’m going to write new reviews, new FAQs, new posts.  I’m going to do whatever the hell I can to make sure I get to know how the stories end.  I will write petitions.  I will beg,  plead and cajole.  I will help the next Kit Colbana book be made by sending money on Patreon.  And I will appreciate the freebies, the alternate POV, the deleted scenes.  I am doubly supportive of the authors I love who have prepublished schedules and put out surprise books too! I love Jenna Black and Lauren Dane and Seanan Mcguire and Kelley Armstrong and Christine Feehan.  But I will keep on supporting everyone…

chasin-thegoodlife:

appropriately-inappropriate:

hermionefeminism:

aneurysmsandanalogues:

the-courage-to-heal:

When I first encountered the literary classic Lolita, I was the same age as the infamous female character. I was 15 and had heard about a book in which a grown man carries on a sexual relationship with a much younger girl. Naturally, I quickly sought out the book and devoured the entire contents on my bedroom floor, parsing through Humbert Humbert‘s French and his erotic fascination for his stepdaughter, the light of his life, the fire of his loins — Dolores Haze. I remember being in the ninth grade and turning over the cover that presented a coy pair of saddle shoes as I hurried through the final pages in homeroom.

Although I remember admiring the book for all its literary prowess, what I don’t recall is how much of the truth of that story resonated with me given that I was a kid myself. Because it wasn’t until I reread the book as an adult that I realized Lolita had been raped. She had been raped repeatedly, from the time she was 12 to when she was 15 years old.

As a young woman now, it’s startling to see how that fundamental crux of the novel has been obscured in contemporary culture with even the suggestion of what it means to be “a Lolita” these days. Tossed about now, a “Lolita” archetype has come to suggest a sexually precocious, flirtatious underage girl who invites the attention of older men despite her young age. A Lolita now implies a young girl who is sexy, despite her pigtails and lollipops, and who teases men even though she is supposed to be off-limits.

In describing his now banned perfume ad, Marc Jacobs was very frank about the intentions of his sexy child ad and why he chose young Dakota Fanning to be featured in it. The designer described the actress as a “contemporary Lolita,” adding that she was “seductive, yet sweet.” Propping her up in a child’s dress that was spread about her thighs, and with a flower bottle placed right between her legs, the styling was sufficient to make the 17-year-old look even younger. The text below read “Oh Lola!,” cementing the Lolita reference completely. The teenager looks about 12 years old in the sexualizing advertisement, which is the same age Lolita is when the book begins.

And yet Marc Jacobs’ interpretation of Lolita as “seductive” is completely false, as are all other usages of Lolita to imply a “seductive, yet sweet” little girl who desires sex with older men.

Lolita is narrated by a self-admitted pedophile whose penchant for extremely young girls dates all the way back to his youth. Twelve-year-old Dolores Haze was not the first of Humbert Humbert’s victims; she was just the last. His recounting of events is unreliable given that he is serially attracted to girl children or “nymphets” as he affectionately calls them. And his endless rationalizing of his”love” for Lolita, their “affair,” their “romance” glosses over his consistent sexual attacks on her beginning in the notorious hotel room shortly after her mother dies.

This man who marries Lolita’s mother, in a sole effort to get access to the child, fantasizes about drugging her in the hopes of raping her — a hypothetical scenario which eventually does come to fruition. Later on as he realizes that Lolita is aging out of his preferred age bracket, he entertains the thought of impregnating her with a daughter so that he can in turn rape that child when Lolita gets too old

Lolita does make repeated attempts to get away from her rapist and stepfather by trying to alert others as to how she is being abused. According to Humbert, she invites the company of anyone which annoys him given that the pervert doesn’t want to be discovered. And yet, he manipulates her from truly notifying the authorities by telling her that without him — her only living relative — she’ll become a ward of the state. By spoiling her with dresses and comic books and soda pop, he reminds her that going into the system will deny her such luxuries and so she is better off being raped by him whenever he pleases than living without new presents.

Given that Humbert is a pedophile, his first-person account is far from trustworthy when deciphering what actually happened to Lolita. But, Vladimir Nabokov does give us some clues despite our unreliable narrator. For their entire first year together on the road as they wade from town to town, Humbert recalls her bouts of crying and “moodiness” — perfectly understandable emotions considering that she is being raped day and night. A woman in town even inquires to Humbert what cat has been scratching him given the the marks on his arms — vigilant attempts by Lolita to get away from her attacker and guardian. He controls every aspect of her young life, consumed with the thought that she will leave him with the aid of too much allowance money or perhaps a boyfriend. He interrogates her constantly about her friends and eventually ransacks her bedroom revoking all her money. Lolita is often taunted with things she desires in exchange for sexual favors as Nabokov writes in one scene:

“How sweet it was to bring that coffee to her, and then deny it until she had done her morning duty.”

Lolita eventually does get away from her abusive stepfather by age 15, but the fact that she has been immortalized as this illicit literary vixen is not only deeply troublesome, it’s also a completely inaccurate reading of the book. And Marc Jacobs is not alone in his highly problematic misinterpretation of child rape and abuse as “sexy.” Some publications and publishing houses actually recognize the years of abuse as love.

On the 50th anniversary edition of Lolita, which I purchased for the sake of writing this piece, there sits on the back cover a quote from Vanity Fair which reads:

“The only convincing love story of our century.”

The edition, which was published by Vintage International, recounts the story as “Vladimir Nabokov’s most famous and controversial novel” but also as having something to say about love. The back cover concludes in its summary:

“Most of all, it is a meditation on love — love as outrage and hallucinations, madness and transformation.”

“Love” holds no space in this novel, which details the repeated sexual violation of a child. Although Humbert desperately tries to convince the reader that he is in love with his stepdaughter, the scratches on his arms imply something else entirely. Because the lecherous Humbert has couched his pedophilia in romantic language, the young girl he repeatedly violated seems to have passed through into pop culture as a tween temptress rather than a rape victim.

Conflating love or sexiness with the rape of literature’s most misunderstood child is dangerous in that it perpetuates the mythology that young girls are some how participating in their own violation. That they are instigating these attacks by encouraging and inciting the lust of men with their flirty demeanor and child-like innocence.

Let it be known that even Lolita, pop culture’s first “sexy little girl” was not looking to seduce her stepfather. Lolita, like a lot of young girls, was raped.

Source: http://www.mommyish.com/2011/11/16/lolita-novel-sex-rape-pedophilia-541/2/#ixzz3N4PFEyex

I was going through this at age 11 when i got my hands on the book, and i never read it as sexual. I cried and related to her on such a deep level. Anyone who thinks lolita is a love story is gross.

Too real. Lolita means so much to me, because I was raped by an older adult man when I was 15 and years later when I came forward about it people said it was my fault because I flirted with him. A friend of his even teased me with the comment “weren’t you his little Lolita?” Lolita. Is Not. A love story. The continuous sexual abuse of a teenage girl is not love.

What chaps my ass is that NABOKOV didn’t see it as a love story. He found Humbert repugnant and went out of his way to make him so.

He hated that people saw it as romantic when he’d meant to write a fucking horror novel.

I hate when people call themselves Lolita or that fucking Lana del Rey song.This book is about a little girl being raped constantly and they make it seem like a seduction or tease.Please people read this article or read what the book really is this story makes my gut churn.I was being molested as a kid and had mental games played on me.Please Please Please to save another persons life stop romanticizing this story let people know this isn’t no old century love this is rape

Rape is never ok.  Nor is a relationship between an adult and a child.  I read a lot but it is imperative that this be a truth of our age.  Too many people refuse to stand up to protect that truth.  Many of my favorite heroines were abused as children.

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The Chanceverse Reread

The Chanceverse Reread

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I discovered my limitations…

So, I like to multitask…I have done it for a long time, but I reached my limit earlier today.  I was listening to a book (I’m doing a reread) and working on a review, when my facebook messenger popped up with a note from a friend.  I had just started watching an episode of The Americans and I discovered that I cannot read subtitles, type, read, listen to a book and make sense!  So, my friends I have hit my limit at least for today!!!

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Touch The Dark Reread Part 1

Cassandra Palmer has had a rough life.  She is in her mid-twenties and on the run from Vampires.  When she returns from her dinner break at the travel agency, someone has changed the wallpaper on her computer to her obituary in the next days paper.  She is going to be killed in a little over an hour.  Before she runs, she has to let her roommate know why she’s leaving.  Cassie is a clairvoyant and talks to ghosts.  On her way to the club where she sometimes tells futures, she runs into one of the resident ghosts of Atlanta, Portia.  Portia is a southern belle who died before she made it to her wedding.  Cassie asks Portia if she has seen Billy Joe.  Billy Joe is a bad gambler from the 1800′s who got caught cheating and was killed, but luckily he had won a truly horrific gemstone necklace from a countess the week before and the gem stored residual energy.  The gem was enough to keep Billy Joe around and when Cassie came across the necklace at 17, she started giving him life energy so he could help her.  Portia hasn’t seen Billy Joe, but says she and her friends will enjoy playing lookout.  

Cassie was raised by Tony, a 3rd level master vampire, who ran the Philly mob.  He used her visions to make money, and had killed her parents when she was 4 because they objected to Tony raising her.  Cassie took off at 14 and did pretty well as a street kid but came back to get Tony taken down by the FBI for his illegal dealings with no mention of vampires.  Then she went into Witness Protection for a while, until she saw the death of her handler and couldn’t convince the marshal service to take her seriously.  

Cassie’s roommate is Tomas, a gorgeous young man who she met through the street kid program where she volunteers.  He has been living with her for 6 months and has made some sexual advances, which horrified Cassie as she was just trying to be nice.  She gets to the club and tries to tell Tomas she has to run.  He says he is coming with her and says he has to tell her something, and they duck into a storeroom.  5 master level vamps come in after them.  Somehow, Cassie and Tomas make it through the fight.  Tomas ripped out two of the vamps hearts out.  He uses the metal shelving unit to impale another one.  Cassies ward takes care of one and a group of Ghosts explodes the other.

Cassie has a vision of Thomas when he first becomes a vampire, causing her to panic.  Here she thought she was doing something good, and he turns out to be a master level vampire.  She has seen him in sunlight.  In order to keep her from leaving, Tomas dances with her and lightly kisses her neck and then her.  He is clearly being affected by his proximity, and he begins to kiss her for real.  He lifts her to his waist with the suggestion that she not fight him.  And he starts back for the storeroom.  His power surrounds her and he manages to have a pretty steamy sex scene with her and then he gets her to give him the gun.  He has her go to sleep.

When she wakes up she is in a waiting room.  The Oracle (newspaper for the paranormal) is several months old and has the headline of “Pythia’s heir missing: time out of whack”.  Raphael (yes that Raphael) tells Cassie that Tomas was assigned as her bodyguard by the senate.  And the betrayal is bothering Cassie.

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Spending time with Cassie

It’s been a while since I entered the Chanceverse and spent time with Cassie Palmer.  I hadn’t realized how much I missed her, until I saw a conversation between two fans and I couldn’t remember the details they were discussing.  The Cassandra Palmer world is so complex because as Pythia she keeps going back in time and that makes things complicated.  And there are so many twists as we go along.  I could write a dissertation on how Pritkin goes from a one dimensional crazypants mage to the infamous Merlin and half incubus on a starvation diet and then Cassie’s staunchest supporter.  And how about Cassie’s dad being the loyal hound who is always with Artemis, Rag.  And then her mom being Artemis who throws down the gauntlet to the Demons via long distance generational call.  Say what?!?  I’m going to go back and reread again because each time I read it my perspective changes  

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Reread Nirvana

So, I’ve decided to like what I like.  Rather than looking for new Authors and series, I’m going back to my old favorites and boy am I loving it!  I have done 2 Anita Blake rereads and have a totally different take on the series since there is no pressure to find out what happens.  I flew through Merry Gentry in 3 days.  And I found myself revisiting Lauren Dane’s Goddess with a Blade series.  Then I read the new paranormal series from Lauren Dane-Diablo Lake.  And now I just reread Karen Chance’s Cassandra Palmer and Dorina Basarab series.  WOW, I loved spending time with Cassie and Dory.  It’s amazing that all these authors have created complex worlds for us to explore and there are so many similarities but each series has a totally different take. 

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