Tag: Uncategorized

“See…we’ve all been wounded.” Goddess, what an understatement. “We’ve all been violated. Me, Adrian, Cory, Renny—hell, even Nicky, and now you. It’s what happens when you’re given great gifts—wonderful, amazing, beautiful gifts. Great buggering git asshole fuckheads always want to steal those gifts for themselves. Being wounded means you held on, that’s all. Being wounded means you can heal. If we live long enough with these gifts, and we’re not wounded, it means we’re probably like Mist and Morana and Sezan and Goshawk and hell, even Titania and Oberon, although I didn’t know either of them more than to give them the best fuck available at court, right? If we’re not capable of being hurt, then we’re not good enough people to deserve the Goddess’s gifts in the first place. If you don’t know that you have something to lose, then maybe you deserve to lose it, and Blessed Father, Holy Mother, Beloved Son, all of us know what we have to lose, because we’ve all lost it at one time or another and none of us wants to feel that pain again…” And then he couldn’t speak anymore, because Bracken, who didn’t want to be touched, had pulled Green into his arms, and every vow Green had made not to weep anymore for his lost freedom and violated faith fell at his feet with his brother’s tears. Both of them held there, still, clenched together so tightly their muscles ached. And they held, and held, and held, until they could breathe freely and look clearly and know that neither of them would be weeping soon again. With an unspoken word, they both pulled back and resumed their human male posture on the couch, the screen.

Wounded. Amy Lane

Experiencing a dilemma

cookie0021:

I’ve never faced before. Frankly I’m tired of love triangles. Mostly because there’s an obvious choice of who the main character’s gonna choose; mostly the reason there’s even a hint of competition is because the girl doesn’t want to hurt the non-chosen guy:

Jace or Simon—duh, Jace wins

Edward or Jacob–duh, Edward wins

Dimitri or Adrian–duh, Dimitri wins

Adam or Samuel–duh, Adam wins

Peeta or Gale–duh, Peeta wins

Barrons or V’laine–duh, Barrons wins

Bones or Tate–duh, Bones wins

Vlad or Maximus–duh, Vlad wins

And countless other I can’t even remember right now. Granted The Infernal Devices took a novel approach and has the main character get to be with both the men she loved (even though it was obvious she really really loved Will–and if forced to choose I think she would have chosen him in the end, but she got both)

My problem is: the Cassandra Palmer series.

One the one hand there’s Mircea who I admitted wasn’t in love with to begin with, but now…after everything I’ve read (including the Dorina Basarab series) I like him. I want him to be happy. I want him to be Cassie because he wants to be with her and she wants to be with him. I like him. Although I’m not too happy about where we were left with him in Tempt the Stars. I hope he’s not going to just abandon her. That doesn’t seem like the kind of man he is.

On the other hand, there’s Pritkin who I’ve kinda adored since book two, Claimed by Shadows. And my adoration for him has only gotten worse as the series has progressed. I absolutely love him. And I do think he’s gonna be the endgame. But I’m not sure.

And I’m torn.

Therein lies the problem.

I’ve never liked both of the guys for a single girl in a series. I may like a guy like say for instance Simon, but I never liked him for Clary. For Izzy, he’ll yeah, but never for Clary.

I want both Mircea and Pritkin for Cassie and I don’t know what to think.

Aaaggghh.

SO, I keep rereading this post.  And I get the overall point, even those of us that “like” both the men in Cassie’s life equally have favorites.  Sometimes, those favorites change from scene to scene but we have favorites.  So, who do we root for?   How do we want it to end…Well, I’m just gonna root for Cassie and however messily it ends up, as long as she’s happy I’ll be good…

But for the list at the beginning, I gotta say something.  I am very happy for this writer that all choices seem crystal clear.  For the rest of us, sometimes we don’t know who we are going to pick until after it has happened.    Or, if you are me, it sometimes was one person on one read but the next time its someone else…

So, maybe, its mutable.  Maybe, for some like Cat and Bones I didn’t even remember there was someone else.  But for each one of those, I have  an Anita Blake, or a Merry or a Corinne Carol-Anne Kirkpatrick.   And there are messy crazy solutions.  

And I don’t see Cassie going the way of the many loved.  At least I don’t think so.  But I’ll just keep reminding myself that I’m rooting for Cassie…and being mutable

[Top]

lhzthepoet:

Pantheons + Name Aesthetics :

Egyptian , 2 

Norse 1 , 2 , 3

[Top]

Oh, Adrian. You bastard—you were supposed to be immortal. How could you leave me alone like this? The pain was devastating, obliterating, too huge to even contemplate, and yet it was there, crushing the breath out of my chest. I inhaled on purpose, and my very breath hurt. I screamed, sobbed, felt that amputated link between us, and knew that Adrian wouldn’t be there and never would again.

Amy Lane, Vulnerable (Little Goddess #1)
[Top]

Some Thoughts on Cassie

So, I got two of my friends who read the same kind of stuff that I do to start the Karen Chance books.  And they, of course love them…But, they are working their way slowly though them.  They have almost caught up to the reread. They obviously don’t compulsively read like I do.  I swear to g-d text to speech was an evil invention.  I used to have to put the book down to do things like brush my teeth, wash my hair, or cook.  Now, I have headphones or a stupid bluetooth speaker.  Although it does allow my children to get more regular meals that DO NOT revolve around Laurell K Hamilton or Karen Chance’s publishing schedule…

So, I keep getting these hysterical texts as things happen in the Cassie Palmer world.  From random questions to OMG.  And of late, I’ve been getting a lot of the OMG variety.  They have gotten to the geis and the trip to Fairie.  And then to the final duel with Dracula.  And I found myself laughing last night at the following text:

OMG Bram Stoker was a Human Servant! WTF! Then, awww so the incubus waited all that time for Dracula? How sweet

My response to the last was Have you ever read Dracula? OK, not sure where I was going with all that…Just chalk it up to my random tangent

But back to my original message, or at least thought.  Cassie is not a victim. Sometimes, we forget that she ran away at 14 and returned, of her own volition, to make Tony pay.  And then lived in a house with Vampires while she worked tirelessly to destroy what Tony loved most: his money.  And hid it.  And then ran with government protection.  She survived the death of her governess.  and then ran successfully for three years.  I gotta say, she’s got some chops.  That’s at the beginning.

She’s got a voice and she learns to use it.  Everyone wants control of her, but somehow, she ends up with a family that includes everyone from the crazy incubus Cassanova to Marco to Pritkin to, yes, Mircea!  She takes the guards who come to her and makes them HERS.  Cassie is never going to be Agnes.  Agnes was raised in the system and a part of it.  And her life was compartmentalized, even though she fell in love with her body guard, Jonas.  and oh what a love that must have been-  Ley line racing and trips though time.  But when we see Agnes in other times, she’s alone.  And a secret pregnancy to boot!  Cassie knows how to hide.  She knows how to run.  She knows how to win. 

Yes, she sometimes gets buffeted by the strong winds of the personalities around her.  And remember, we are in her head.  And sometimes we get her insecurities bleeding through.  But no matter what comes, she copes as best she can.  And that’s better than 99% of the population!  She learns, she quietly assimilates.  She fucking conquers!  Her life is messy.  I can’t see her making her life fit in boxes.  I can’t see her without Mircea’s family, which is becoming hers.  I have this image in my head of some of the mansions in Vegas.  The really awesome ones that have every possible luxury and themed bedrooms.  Almost like an MTV tricked out house for Real World.  But I can’t see Cassie, Tami and the kids from the schools living quietly in the suburbs with a mixed security force of vamps and mages.  I don’t know where I see her, but…

[Top]

Feast’s Famine by Debra Dunbar

I really enjoy all of Debra Dunbar’s works.  She has a unique voice.  I don’t think any of the characters from any of her series would have occurred to me in a million years, but they work.  There are 2 main series that she writes and they are completely different worlds.  Her Imp world series follows the bizarre and sometimes slightly bad but always hilarious life of Samantha Martin, a low level imp from hell who just wants to slip under the radar and somehow manages to attract the attention of the archangels and end up in charge of Hell.  And yeah that sentence was as bizarre as it sounded.  That would ends up incorporating all kinds of other creatures, from elves who decided to live in hell after the big war, to nephilim (children of an angel and a human and totally illegal) to vampires.  And so there are a few spin-offs from that world, and all are worth a read.  I promise you will laugh at things that make no sense outside of the context of the story-I learned that the hard way.  I tried to share a couple of quotes with people and got horrified looks.  SO, I just recommend the books now, I don’t even try to explain them.  But that is only one of the series Debra writes.  

SO on, to the second series, which Feast’s Famine is the 4th book of.  This is the Templar series, and much like the Imp series they revolve around a young woman heroine.  These books revolve around  Solaria Ainsworth, who was raised in a family of Knights Templar.  The Knights Templar are holy warriors, blessed by god to protect the temple, its artifacts and the pilgrims on the path to salvation.  And they have done this for a long time and built up huge libraries of vast knowledge and they are bound to help all those who seek them out.  They have grown rich by protecting and preserving their charges.  And Solaria has been raised to become a knight, which means that she has been trained in swords and fighting in all styles.  But when it comes, time to take her place among the others, she balks.  And ends up living in Baltimore, working in a coffee shop.  And through a series of events, ends up involved with mages and vampires and all kinds of supernatural craziness and LARPing too!  Solaria ends up becoming the Templar protecting the city of Baltimore in her spare time and involved with the vampires too!

Feast’s Famine is the fourth book in the series and delivers the same pace of crazy events.  It opens with a medieval tournament and speeds along from there.  There is a disease demon in Baltimore and he’s created a unique disease along with all the usual suspects, including the Black Plague.  This disease causes a person to have insatiable hunger.  And the group of humans that have been infected are willing blood donors to the vampires, and this virus can infect the vampires too! And vampires with insatiable hunger could cut quite a swath across a modern city.  

This creates an urgency to Aria’s investigation.  And it doesn’t help that she has finally crossed the line into an inter species sexual relationship with Dario, a powerful vampire.  It’s a fun read and a great addition to the series!

[Top]

One growlly war mage, one annoyed Pythia…much drama!

[Top]

exinaart:

Daily Quotes #1082

Masks by Karen Chance

[Top]

pritkinsprettydick:

Dory Series + Favorite Quote

[Top]

Dory and Dorina – what happens when you’ve been cut off from half of yourself for 500 years

redorblue:

(Not sure
whether it’s right to write about Dorina and Dory as two different characters
when we still know so little about Dorina, but anyway, here goes)

When
reading Fury’s Kiss for the first time, there were these passages that
frustrated me immensely. I can see why Dory naturally assumed that it was
Dorina attacking her in her own mind – she’s only ever “seen” Dorina that one
time at Radu’s estate, plus some jumbled memories from before the divide – and then
there’s the waking up surrounded by bodies thing… But I didn’t wanna believe
Dory. Because those few glimpses we get from Dorina’s POV just don’t fit the
picture of the bloodthirsty maniac that Dory has of her other half. Sure, she’s
good at what she’s doing, which in the situations we see her in is mainly
fighting, and also killing when necessary (no one to mourn there, though). But
so is Dory herself, and Louis-Césare, and loads of other characters.

Dory fears
Dorina based on very little actual proof, namely on her surroundings when
waking up and on what’s probably nothing more than hearsay. I doubt that Dory
has ever talked to anyone who met Dorina and lived to tell her about it except
for Mircea, and of course Dorina doesn’t react all too well to him as he is the
one who imprisoned her in her own head (with good cause, insists my inner
Mircea fan, but does Dorina know that?). And even given his, and later
Louis-Césares, scant experiences with Dorina under very stressful
circumstances, they don’t think she’s irrational, or cruel, or bloodthirsty, or
any of the things Dory assumes about Dorina. Just… good at what she’s doing…
So I wonder, as Dory was so spectacularly wrong about Dorina based on little
evidence, what was/is Dorina’s take on Dory based on pretty much nothing at
all?

Dory
speculates on this at some point, but given the situation she was in at that
point and her generally skewed perspective on this, I doubt that her views are
all that accurate. This is going into speculation territory fast, so let’s see
what Dory thinks are Dorina’s feelings about the person she shares a mind with:

“Maybe she
hated my weakness, my humanness, as much as I hated her vampire-ness […]
Maybe instead of a crawling bug, she viewed me as a more insidious kind – a leech,
taking her strength, her energy, her prowess, and squandering them.”

First of
all, Dorina doesn’t seem as preoccupied with Dory as vice versa. She doesn’t
think at all about her alter ego, which for me is something that contradicts
Dory’s assumption that Dorina has nothing but contempt for her. When Dorina
takes over their body for her nightly trips in search of the angel child, she
shows no sign of hate or anger at Dory for being handed a damaged body. She
just… rolls with it, I guess. Which she’s certainly capable of. So that
speaks against Dory’s theory that Dorina views her as something “usurping” her
body and then giving it back broken because she’s so utterly incapable. I’m not
sure how aware Dorina is while Dory is in control (although I think there must
be something subconscious going on because she fights harder to get out when
they are in danger?), but it doesn’t seem to be enough to always know what Dory’s
up to and why, so she can’t know what Dory does with their body while she’s
absent. She doesn’t seem to be too interested, either, never makes an effort to
get an explanation for the situation she’s been put in. So I think indifference
would be a better description for Dorina’s attitude toward Dory than contempt
or hate. And then there’s the fact that in Fury’s Kiss, Dorina always brings
back their body before the night is over, although she’s not technically forced
to, not being bound by the sun cycle and all. So maybe I’m over-interpreting
this, but I think it shows that Dorina tries not to mess up Dory’s life too
much and sees Dory’s goals as important, too.

“Living a life
no master vampire would have considered for so much as a moment, with no
family, no servants, no respect.”

We know
that Dorina does want a family, which is why she tried so hard to rescue the angel
child she found at the beginning of Fury’s Kiss. We also know that she tends to
look down on others, regardless of their race, and that she’s especially
suspicious and to a degree contemptuous towards vampires. But I think Dory gets
it wrong here. Dorina wants a family not/less for the prestige and power that
it brings, but because she’s lonely. Those times she comes out, she never has
the opportunity to form bonds with anyone, and most of the time she’s locked up
inside her head, so no chance at finding someone to belong with. I don’t know
what kind of power the child might have had, but it’s obvious that she doesn’t
try to find it because of what it might do to improve her status. She does it
because she feels protective, and because she hopes there might finally be
someone who doesn’t freeze in terror at the sight of her (and is therefore weak
and unattractive to her), treats her with contempt or threatens her with
imprisonment or worse.

“I wondered how
she’d felt about [dhampirs not having status]. How she’d liked having even baby
vampires look down on us, watching them insult us, denigrate us […] knowing
that we – that she – were perfectly capable of destroying the lot of them.”

Here’s
something that Dory might have gotten right because it’s something that they
share. Dorina surfaces when she senses Louis-Césare acting disrespectfully and treating
her as if she was weak, and is placated by his apology and gesture of
subordinance. Dory gets angry, too, when vampires don’t treat her as the very
capable and potentially dangerous person she is, like when she went to see
Mircea and slammed that arrogant guard through a wall. They both hate it that
they’re treated the way they are by vampire society, and they both react
accordingly, although Dory naturally assumes that Dorina’s reaction is way
worse than her own. So, the starting point for this assumption is probably correct,
but her conclusion is not. Again, I’m guessing, but as is evident from the end
of Fury’s Kiss, Dorina not only doesn’t seem to hate Dory, but develop some
kind of tentative… respect, maybe? for her other half. They cooperate when
fighting Lawrence (which is a survival necessity, yes, being of one body and
also mind, more or less) and instead of trying to subdue Dory, or in any other
way even making contact with her, Dorina vanishes after the fight, maybe
mourning her own losses. There’s no hate or contempt there, just a profound
feeling of being estranged. Which, considering the last five hundred years,
seems like a good starting point to try and move toward each other again after
being cut off from half their selves for so long.

[Top]