Artemis
Mythology Posters .: Artemis,
the daughter of Zeus and Leto, twin sister to Apollo, goddess of the moon, the hunt, the wilderness, the wild animals, childbirth, virginity and protector of young girls.
An explanation of why I’m bouncing off the walls Until May 2nd (Hurry up and preorder NOW)
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This is taken verbatim from https://mmgoodbookreviews.wordpress.com/2017/04/25/quickening-vol-1-by-amy-lane-blog-tour-guest-post-excerpt/
How It All Began
by Amy Lane
So I know for a lot of people, the “big deal” of Quickening’s release is sort of lost.
Amy writes lots of books. Lots of big books. So?
And let’s face it—this one’s got a girl on the cover, and, yes, well, girls on the cover of an author known for her gay male romance work does not inspire a lot of “HUZZAH!”
But, like with everything, there is a story…
So, once upon a time there was an English teacher who felt compelled to go back to school to get her master’s degree. Why? Well, it was unclear even then. All of her peers were doing it, and it appeared to be the only way to get any income mobility and…
Whatever.
Everybody else was getting their MA in education, the better to become administration, but this particular English teacher wouldn’t touch administration with a barge pole. Ugh. Gross. No.
But learn more about her subject matter? Holy Goddess YES!
So she took a bunch of different classes—an entire semester on Hamlet, anyone? And finally decided that creative writing was where she wanted to be.
And she was in this class, loving it, when some asshole dropped a couple of planes on some buildings in New York, and she had a big epiphany: She’d left her two young children at home during her school time, and they were only six and eight at the time, and she didn’t want to spend her precious moments taking classes to make a quota, she wanted to spend her time with them.
So she dropped out of the master’s program—but she kept writing.
Three and a half years later she self-published the book she’d started during that time in the master’s class. It felt like self-aggrandizement mostly—the master’s project was a finished novel, and hey, she’d done that, so even if she didn’t have the piece of paper to prove it, she had Vulnerable.
This was back when self-publishing was in its infancy, and our English teacher made a LOT of mistakes—a lot of them surprisingly enough, in English.
This was back during a DARK period in language instruction. A time called “whole language” learning—when it was considered unprofessional for an English teacher to so much as request a grammar textbook to teach her students how to write English with any sort of proficiency. They were supposed to just “absorb” that knowledge from the books they read.
For the record—it didn’t work.
Also?
It destroyed this particular English teacher’s basic knowledge of grammar and punctuation—all she was reading at the time was student papers.
Which meant when her masterpiece came out, there were some really fucking embarrassing errors all over the goddamned manuscript.
But she didn’t care. Because seriously. How many people were going to read something she wrote? She worked in an extremely misogynistic environment—none of the people in her staff room would so much as let her finish a sentence. She grew up with people who thought she was too stupid to finish college in the first place—and were really confused as to why she’d take master’s classes in something that wouldn’t get her more money just because she hated the job. Her students thought she was okay—but it was an inner-city school, and the ones who didn’t think she was okay told her she was a dumbfuck twat on a daily basis, and her administration didn’t really think that was too bad on the whole.
Her children—whom she adored—both had their own difficulties in school. Obviously her fault, because what did she do wrong to produce a kid with a communication handicap and one with a skewed, Eyeore view of life, even at six?
Nobody would read this book. (Except her outstanding and wonderful Mate.) Nobody would care. It was her accomplishment, and hers alone, and she was really proud of it.
And she was proud of the next one, and the next one, and the one after that. For six years, her Christmas gift from her husband was a chance to self-publish the book she’d written that year between kids and school and soccer and dance and karate and, oh, hey, giving birth to two more children for a total of four.
And then, one day, someone on Twitter asked for a short fic—just a short fic—based on a video of some really hot guys and a dirty guitar riff, and she wrote it, just for fun…
And these people—this publishing company—loved it.
In fact, they had read her books. They loved her stories. They thought she was worthwhile—they wanted to see what else she could write.
And her love affair with writing purely gay romance began.
Now, the last thing she’d written on her own had been the fourth book in her first series—Rampant.
And she’d dropped a helluva bomb at the end of that book. A sort of, uh, BIG cliffhanger. Or two.
And just when her writing career in gay romance took off, her teaching career took a HUGE, devastating, killing hit—and yes, the two things were very closely connected. So suddenly, writing gay romance became the thing she absolutely had to do.
It became her livelihood.
And finishing that series—ending that cliffhanger—that became the last thing on her list.
So… what does this have to do with Quickening?
Seven years ago I wrote a book that ended with a teeny-tiny-itty-bitty sorceress being told some VERY BIG GINORMOUS LIFE CHANGING NEWS.
And people have been waiting to see how that comes out. For seven years.
So I’m going to be writing some blog posts about this book in the next week—and I’m going to be WAY more excited about its release than I think my community is going to be.
But that’s okay—because the first book was something I wanted to do for myself. And this book was a promise I kept to all the people who thought that first book was something special, something that resonated with them, and took the time to tell me that my voice—the one that seemed to be raised desperately unheard for so long—was really important to them.
So it’s possible Quickening isn’t going to take the gay romance world by storm.
But I’m so happy that it’s out, I’m could actually cry.
If you’re interested in the books that started it all, start with Vulnerable—it’s been re-edited and recovered, as have all of the original books in the series.
If you’re a fan of the series already, and you’ve been waiting for the last seven years—you’re the best. Period. I couldn’t have done the last twelve years without you.
Amy
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Quickening, volume 1
Little Goddess (Book 5)
DSP Publications
(May 2, 2017)
316 pages
Little Goddess: Book Five
Volume One
Cory thought she’d found balance on Green's Hill—sorceress, student, queen of the vampires, wife to three men—she had it down! But establishing her right to risk herself with Green and Bracken had more than one consequence, and now she’s facing the world's scariest job title: mother.
But getting the news that she’s knocked up takes a back seat when a half-elf hunts them down for help. Her arrival brings news that the werewolf threat, which has been haunting them for over a year, has finally arrived on their doorstep—and it’s bigger and more frightening than they’d ever imagined.
Cory throws herself into this new battle with everything she’s got—and her men let her do it. Because they all know that whether they defeat this enemy now or later, the thing she's most afraid of is arriving on a set schedule, and not even Cory can avoid it. The trick is getting her to acknowledge she's pregnant before she gives birth—or kills herself in denial.
When did No stop mattering when women say it?
We were grabbing a bite of lunch at a small cafe, in a mall, right across from a booth that sold jewelry and where ears could be pierced for a fee. A mother approaches with a little girl of six or seven years old. The little girl is clearly stating that she doesn’t want her ears pierced, that’s she’s afraid of how much it will hurt, that she doesn’t like earrings much in the first place. Her protests, her clear ‘no’ is simply not heard. The mother and two other women, who work the booth, begin chatting and trying to engage the little girl in picking out a pair of earrings. She has to wear a particular kind when the piercing is first done but she could pick out a fun pair for later.
“I don’t want my ears pierced.”
“I don’t want any earrings.”
The three adults glance at each other conspiratorially and now the pressure really begins. She will look so nice, all the other girls she knows wear earrings, the pain isn’t bad.
She, the child, sees what’s coming and starts crying. As the adults up the volume so does she, she’s crying and emitting a low wail at the same time. “I DON’T WANT MY EARS PIERCED.”
Her mother leans down and speaks to her, quietly but strongly, the only words we could hear were ‘… embarrassing me.’
We heard, then, two small screams, when the ears were pierced.
Little children learn early and often that ‘no doesn’t mean no.’
Little children learn early that no one will stand with them, even the two old men looking horrified at the events from the cafeteria.
Little girls learn early and often that their will is not their own.
No means no, yeah, right.
Most often, for kids and others without power, ”no means force.”
from “No Means Force” at Dave Hingsburger’s blog.
This is important. It doesn’t just apply to little girls and other children, though it often begins there.
For the marginalized, our “no’s” are discounted as frivolous protests, rebelliousness, or anger issues, or we don’t know what we’re talking about, or we don’t understand what’s happening.
When “no means force” we become afraid to say no.
(via k-pagination)
And then Fred came to the rescue. “No, no, no, I got this,” he said, jogging in from the lounge, and talking to someone over his shoulder. “Got what?” I asked warily as he turned to me and grinned. Don’t know why.” Because they’re depressing, I didn’t say, since he was only trying to help. But honestly, who bought black balloons? Fred, apparently, and now he was blowing them up. “Trust me … I used to do this … all the time,” he told me in between breaths. He soon had a cluster of long, skinny tubes, which he then proceeded to tie together using vampire speed. One second, there was a depressing bunch of cylinders, and the next … It was worse. The kids were glancing at each other, like they didn’t know what to make of it, either. But Fred looked hopeful. And then he started moving his creation up and down, so that the tortured appendages hanging off either side flopped about in a dying-bird sort of way. One of the littlest girls made a sound and hid her face.“Fred,” I began, trying to figure out how to say please stop without hurting his feelings. And then one of the guys solved the problem for me. “What the fu—uh, heck?” “Leo,” Roy said, frowning at him from beside the bar. “What? I said heck. And look at that thing.” “What is it?” another guy asked. “A spider?” “A bat, obviously,” Fred said. And flapped it about some more, on the theory, I assume, that he just hadn’t been vigorous enough the first time. “Freakiest thing I ever saw,” the vamp mumbled. “Freakiest?” Roy dropped ice into a glass. “You haven’t been here long enough.” “Then why does it feel that way?” “I have more,” Fred said, finally realizing that his distraction was not a hit. “A lot more. I used to make these all the time—well, the pig bladder kind—” “But were any of them any good?” Leo asked. Fred stopped to glare at him, while Roy assessed his latest attempt. “What is that?” “It’s a clown!” “Oh, demonic clown. Great choice.” gift from someone I cared about, so I just never had. Plus, they had a charm on them I thought the girls might like. It had proven oddly accurate at reading the atmosphere around a situation and giving advice in the form of a pertinent card. And sure enough, practically as soon as I touched them, one popped up. A black one. A black one with a leering devil on it.Well, shit.
[Top]Sometimes people like to write things about florist’s shops. Here are two things you need to know, the most egregiously wrong things.
1. It makes no fucking sense to sketch out a bouquet before you make it. Every individual flower is different in a way that cannot really be adjusted the way other building materials can be adjusted, and each individual bouquet is unique. Just put the fucking flowers together.
2. No one — in months and months of working at the flower shop — has ever cared what the flower/color of the flower means. No one’s ever asked. It’s just not something people tend to care about outside of fiction and it’s certainly not something most florists know. You know what florists know? What looks good and is thematically appropriate.
Here’s an actual list of the symbology of flowers, as professionals use it:
Yellow – for friends, hospitals
Pink – girls, girlfriends, babies, bridesmaids
Red – love
Purple – queens
White – marriage and death (DO NOT SEND TO HOSPITALS)
Pink and purple – ur mum
Red, orange, and yellow – ur mum if she’s stylish
Red, yellow, blue – dudes and small children
Blue and white – rare, probably a wedding
Red and white – love for fancy bitchesHere are what the flowers actually mean to a florist:
The Fill It Out flowers:
Carnations – fuck u these are meaningless filler-flowers, not even your administrative assistant likes them, show some creativity
Alstroemeria – by and large very similar to carnations but I like them better
Tea roses – cute and lil and come several to a stalk, a classy filler flower
Moluccella laevis – filler flower but CHOICE
Delphinium – not as interesting as moluccella but purple so okay I guess
Blue thistle – FUCK YEAH, some fucking textural variety at last! you’re getting this for a dude, aren’t you?
Chrysanthemums – barely better than carnations but better is still better
Gladiolus – ooh, risky business, someone understands the use of the Y-axis, very goodFocal points:
Long-stem roses – yeah whatever
Lilies – LBD, looks good with everything, get used as often as possible
Hydrangeas – thirsty fuckers, divas of the flower world and rightly so, treat them right and they make you look good
Gerbera daisies – the rose’s hippie cousin, hotter but no one admits it
Peonies – CHA-CHING, everybody’s absolute favorite but you need guap
Orchids – if this isn’t for a wedding you’re probably trying too hard but they’re expensive so keep ordering themYou know what matters? THE CUSTOMER’S BUDGET. THAT’S TELLING.
-$20 – if you’re not under 12, fuck off, get your sugar something else
$30 – good for bouquets but an arrangement will be lame
$40 – getting there, there’s something that can be done with that. you can get some gerbs or roses with that and not have them look stupidly solo.
$50 to $70 – tolerable
$80 – FINALLY. It sounds elitist but this really is the basic amount of money you should expect to spend on an arrangement that matters. That’s your Mother’s Day arrangement. You’re probably not going to spend $80 on a bouquet.
$90 to $130 – THE GOOD SHIT, you’re likely to get some orchids
$130+ – Weddings and death. This amount of money gets you a memorial arrangement or a handmade bridal bouquet. Don’t spend this on a Mother’s Day or a Babe I Love You arrangement, buy whosits a massage or something.Miscellaneous:
- Everything needs greening and if you don’t think that you’re an idiot.
- As a new employee, when you start making arrangements, you can’t see the mistakes you’re making because you’re brand new and you’re learning an art form from the ground up.
- With a few exceptions customers don’t have a clear plan in mind. They want you to develop the bouquet for them. They want something that will delight their little sweetbread but you’re lucky if they know that person’s favorite color, let alone flower.
- Flower shops don’t typically have every kind of flower in every kind of color. Customers generally aren’t assed about that. Most people don’t care about the precise shade of the rose or having daffodils in July, because they’re not boning up on flower language before they buy. That would imply that they’ve got a clear bouquet in mind and, again, they don’t.
- Being a florist is essentially a lot like what I imagine being a mortician is about. You’re basically keeping dead things looking good for as long as possible. You keep the product in the fridge so it doesn’t rot and look horrible by the time the family gets a whack at it, and in the meanwhile you put it in a nice container.
Anyway that’s flowers.
this is magnificent and I love hearing about ppl job feilds
Forget Your Team: Your Online Violence Toward Girls and Women Is What Can Kiss My Ass – The Official Website of Ashley Judd
When I first encountered the literary classic Lolita, I was the same age as the infamous female character. I was 15 and had heard about a book in which a grown man carries on a sexual relationship with a much younger girl. Naturally, I quickly sought out the book and devoured the entire contents on my bedroom floor, parsing through Humbert Humbert‘s French and his erotic fascination for his stepdaughter, the light of his life, the fire of his loins — Dolores Haze. I remember being in the ninth grade and turning over the cover that presented a coy pair of saddle shoes as I hurried through the final pages in homeroom.
Although I remember admiring the book for all its literary prowess, what I don’t recall is how much of the truth of that story resonated with me given that I was a kid myself. Because it wasn’t until I reread the book as an adult that I realized Lolita had been raped. She had been raped repeatedly, from the time she was 12 to when she was 15 years old.
As a young woman now, it’s startling to see how that fundamental crux of the novel has been obscured in contemporary culture with even the suggestion of what it means to be “a Lolita” these days. Tossed about now, a “Lolita” archetype has come to suggest a sexually precocious, flirtatious underage girl who invites the attention of older men despite her young age. A Lolita now implies a young girl who is sexy, despite her pigtails and lollipops, and who teases men even though she is supposed to be off-limits.
In describing his now banned perfume ad, Marc Jacobs was very frank about the intentions of his sexy child ad and why he chose young Dakota Fanning to be featured in it. The designer described the actress as a “contemporary Lolita,” adding that she was “seductive, yet sweet.” Propping her up in a child’s dress that was spread about her thighs, and with a flower bottle placed right between her legs, the styling was sufficient to make the 17-year-old look even younger. The text below read “Oh Lola!,” cementing the Lolita reference completely. The teenager looks about 12 years old in the sexualizing advertisement, which is the same age Lolita is when the book begins.
And yet Marc Jacobs’ interpretation of Lolita as “seductive” is completely false, as are all other usages of Lolita to imply a “seductive, yet sweet” little girl who desires sex with older men.
Lolita is narrated by a self-admitted pedophile whose penchant for extremely young girls dates all the way back to his youth. Twelve-year-old Dolores Haze was not the first of Humbert Humbert’s victims; she was just the last. His recounting of events is unreliable given that he is serially attracted to girl children or “nymphets” as he affectionately calls them. And his endless rationalizing of his”love” for Lolita, their “affair,” their “romance” glosses over his consistent sexual attacks on her beginning in the notorious hotel room shortly after her mother dies.
This man who marries Lolita’s mother, in a sole effort to get access to the child, fantasizes about drugging her in the hopes of raping her — a hypothetical scenario which eventually does come to fruition. Later on as he realizes that Lolita is aging out of his preferred age bracket, he entertains the thought of impregnating her with a daughter so that he can in turn rape that child when Lolita gets too old
Lolita does make repeated attempts to get away from her rapist and stepfather by trying to alert others as to how she is being abused. According to Humbert, she invites the company of anyone which annoys him given that the pervert doesn’t want to be discovered. And yet, he manipulates her from truly notifying the authorities by telling her that without him — her only living relative — she’ll become a ward of the state. By spoiling her with dresses and comic books and soda pop, he reminds her that going into the system will deny her such luxuries and so she is better off being raped by him whenever he pleases than living without new presents.
Given that Humbert is a pedophile, his first-person account is far from trustworthy when deciphering what actually happened to Lolita. But, Vladimir Nabokov does give us some clues despite our unreliable narrator. For their entire first year together on the road as they wade from town to town, Humbert recalls her bouts of crying and “moodiness” — perfectly understandable emotions considering that she is being raped day and night. A woman in town even inquires to Humbert what cat has been scratching him given the the marks on his arms — vigilant attempts by Lolita to get away from her attacker and guardian. He controls every aspect of her young life, consumed with the thought that she will leave him with the aid of too much allowance money or perhaps a boyfriend. He interrogates her constantly about her friends and eventually ransacks her bedroom revoking all her money. Lolita is often taunted with things she desires in exchange for sexual favors as Nabokov writes in one scene:
“How sweet it was to bring that coffee to her, and then deny it until she had done her morning duty.”
Lolita eventually does get away from her abusive stepfather by age 15, but the fact that she has been immortalized as this illicit literary vixen is not only deeply troublesome, it’s also a completely inaccurate reading of the book. And Marc Jacobs is not alone in his highly problematic misinterpretation of child rape and abuse as “sexy.” Some publications and publishing houses actually recognize the years of abuse as love.
On the 50th anniversary edition of Lolita, which I purchased for the sake of writing this piece, there sits on the back cover a quote from Vanity Fair which reads:
“The only convincing love story of our century.”
The edition, which was published by Vintage International, recounts the story as “Vladimir Nabokov’s most famous and controversial novel” but also as having something to say about love. The back cover concludes in its summary:
“Most of all, it is a meditation on love — love as outrage and hallucinations, madness and transformation.”
“Love” holds no space in this novel, which details the repeated sexual violation of a child. Although Humbert desperately tries to convince the reader that he is in love with his stepdaughter, the scratches on his arms imply something else entirely. Because the lecherous Humbert has couched his pedophilia in romantic language, the young girl he repeatedly violated seems to have passed through into pop culture as a tween temptress rather than a rape victim.
Conflating love or sexiness with the rape of literature’s most misunderstood child is dangerous in that it perpetuates the mythology that young girls are some how participating in their own violation. That they are instigating these attacks by encouraging and inciting the lust of men with their flirty demeanor and child-like innocence.
Let it be known that even Lolita, pop culture’s first “sexy little girl” was not looking to seduce her stepfather. Lolita, like a lot of young girls, was raped.
Source: http://www.mommyish.com/2011/11/16/lolita-novel-sex-rape-pedophilia-541/2/#ixzz3N4PFEyex
I was going through this at age 11 when i got my hands on the book, and i never read it as sexual. I cried and related to her on such a deep level. Anyone who thinks lolita is a love story is gross.
Too real. Lolita means so much to me, because I was raped by an older adult man when I was 15 and years later when I came forward about it people said it was my fault because I flirted with him. A friend of his even teased me with the comment “weren’t you his little Lolita?” Lolita. Is Not. A love story. The continuous sexual abuse of a teenage girl is not love.
What chaps my ass is that NABOKOV didn’t see it as a love story. He found Humbert repugnant and went out of his way to make him so.
He hated that people saw it as romantic when he’d meant to write a fucking horror novel.
I hate when people call themselves Lolita or that fucking Lana del Rey song.This book is about a little girl being raped constantly and they make it seem like a seduction or tease.Please people read this article or read what the book really is this story makes my gut churn.I was being molested as a kid and had mental games played on me.Please Please Please to save another persons life stop romanticizing this story let people know this isn’t no old century love this is rape
Rape is never ok. Nor is a relationship between an adult and a child. I read a lot but it is imperative that this be a truth of our age. Too many people refuse to stand up to protect that truth. Many of my favorite heroines were abused as children.
[Top]We’re prepared to scribe up,” Bella said. “And then we’ve asked for Last Meal on special service, because we’re doing movie day upstairs in the theater.” “ Magic Mike XXL just came out on DVD,” Beth chimed in. “We have a moral obligation to support the arts, even if they’re just the human ones.” “I haven’t seen the first one,” Autumn murmured. “They tell me his pelvis is double-jointed. Is that true?” Beth came forward and took the Neverfull. “Come on, you look like you need a girls’ night. Payne and Xhex are joining us. So are Cormia, Layla, Doc Jane, and Ehlena. We’re getting all of us the friendship that was being offered. It seemed … too frivolous when she thought about all she wasn’t able to do for that unknown female. Bella leaned in. “We’ve told the males that they can’t come in. Mostly because if they see that Channing guy up on the big screen—” Beth finished, “—we’re going to need to do a remodel after they’re done with things.” “Back to the double-jointed business,” Autumn kicked in. “I mean, how does he walk?” “Very well, my friend.” As Bella answered Tohr’s mate, she put an arm around Marissa’s shoulders. “Very, very well.” As Marissa let herself get drawn into the billiards room—where ink pots had been set up on one of the coffee tables and there was already a glass set out for her—she began to blink fast. Part of the emotion was the fact that that female who had died wasn’t ever going to have anything like this again—if she’d been lucky enough to find good people surrounding her while she’d been alive. The other half was a gratitude so great, her chest could barely contain the emotion. “Ladies,” she said, putting her arm around Bella’s waist. “Let’s do the addressing quickly—so we can get to the undressing.”…“I ’m sorry … they’re doing what ?” As Butch spoke, he looked at the males-only group sitting around the mansion’s dining room table. Not one of his brothers or any of the soldiers was laughing or talking loudly. The bunch of sad sack losers was just sitting in front of half-eaten plates and untouched rocks glasses of vodka, bourbon and whiskey like a roll call of bassett hounds who’d lost their anti-depressants. Not what he’d expected to find as he came late to Last Meal. When Marissa had texted him and told him she was working with the females on something, it had seemed like a good idea to with your sac or something?” Wrath inhaled like he was about to break the news of a death in the family. “They’re having a movie night.” Butch rolled his eyes and went over to his chair. Yeah, it was a little weird to sit down without his Marissa by his side, but for crissakes, it was nothing to go Prozac over. Besides, he was glad his woman had friends in the house— “They’re watching Magic Mike ,” someone said. “Is that a children’s show?” He sat back as Fritz put a heaping plate of lamb in front of him. “Thanks, man—oh, thanks, yeah, I’d love a drink. I’ll take a Lagavulin on the rocks—” Butch stopped talking as he realized the entire table of males was looking at him. “What?” “You haven’t heard about Magic Mike ?” Rhage demanded. “No.” He leaned back again as his drink was delivered. “Thanks. Is it like Barney?” “It’s about strippers,” Hollywood countered. Butch frowned and lowered the glass from his lips. “I’m sorry?” V came in from the pantry with a thick pouch of tobacco, a pack of rolling papers, and a scowl like somebody had stripped his favorite sex toy of its batteries. “Naked,” Vishous muttered as he sat where Marissa should have been. “Buck-ass naked. And they’re humans. Christ, it’s like being shown up by a pack of dogs.” “In thongs,” someone else bitched. “Dogs in thongs.” Butch followed through on taking a drink this time, swallowing the burn, welcoming the heat in his gut. Okay, fine, it was a bit of a surprise to find that he kept going until the glass was empty, but hey, he had a lot to think about. On one level, the fact that his shellan was watching a movie with her buddies, even if it did involve some nakey, really wasn’t a big deal. On another level, he wanted to find the electrical box and cut the power to that part of the mansion. Then torch the DVD. And the screen. And take his mate to bed just to show her all the tricks he had over some actor in a—oh, God, a thong? “It’s fine,” he heard himself say as he motioned to a doggen for a refill. “I mean, first of all, they love us—and second, it’s not like it’s an X rated—” the thing at the fallen angel’s head. “You keep talking like that and I’ma trim your hair. With my eyes closed.” Lassiter laughed. “Yeah, whatever, big boy. I thought you had more mojo than to get worked up over something like this. You really that insecure?” “You want insecure,” V said. “I’ll make you—” “Okay, okay,” Butch cut in. “Leave it, V. It’s fine, it’s great—they’re just enjoying themselves. What’s wrong with that? It’s not like they’re sleeping with the guy.” “You sure about that?” Lassiter smiled. “You don’t think they’re fantasizing about—” The collective growl that rose up from the Brotherhood was so loud, it managed to agitate the crystals in the enormous chandelier hanging over the table. And the fallen angel was an idiot, but he wasn’t stupid. Moving slowly, like there were multiple guns pointed at him, he put his hands up in submission. “Sorry. Whatever. I’ll stop before all this lame-ass uncomfortability you bunch of morons are sporting kills me.” “Wise choice,” Butch said dryly. “Not that I wouldn’t mind hitting you right now. Although that’s not specific to this sitch.” Lassiter went back to eating, shoving food into his face. The Brothers weren’t so quick to do a reset on things, those narrowed eyes and bared fangs still trained on the angel with the big mouth. “Come on, boys, it’s fine .” He cut a piece of lamb off and put it in his mouth. “Mmm. Delish.” In reality, the stuff tasted like cardboard, but he made a show of the yummies. He couldn’t keep it up, though. Two minutes later, he was shoving a full plate away and nursing his second whiskey. “Really. They should have a little independence. They don’t need to be locked at our hips, and listen, life here revolves around us. It’s about time they do something just for them. Really. This is great.” Next to him, V lit up a fat hand-rolled. “Is it. You like the idea of Marissa looking at some other male’s junk?” “It’s not an X-rated—” As his voice squeaked, he cleared his throat. “I mean, it couldn’t be … no, it’s not—” up again before the growling got even worse. “Jesus, you guys are so damn touchy.” Butch shook his head and decided the angel was on his own. “So, yeah, I mean, a little gyrating—a pec pump or two. It’s nothing to get worked up over. Fritz, can I have a refill over here again?” The butler hustled over to pick up the empty glass. “Would any of you care for dessert? We have homemade ice cream and Petit Gâteau .” Butch glanced at Hollywood. “What do you say there, my man?” When Rhage just swished his ginger ale around in his glass, Butch cursed and said to Fritz, “This one here will have some even if no one else does.” “Bring me the dessert,” Rhage spoke up. Fritz bowed with Butch’s glass in his hand. “But of course, sire. I shall fix you a plate directly—” “No. I want the whole dessert. All of the cake and all of the ice cream.” Annnnnnnnnnnnnnnnd that was how Hollywood ended up with a morose audience of however many playing witness to his consuming fifteen small chocolate cakes and two gallons of vanilla ice cream. It was like watching paint dry, except there was no chemical smell and the room was the same color before and after. The good news was that the booze was doing its job, fuzzing out Butch’s mind, making his body both numb and horny. “May I have another?” he asked a passing doggen who was removing the final chocolate-smudged plate. “Thank you so much.” When his glass came back, he pushed his chair away from the table. “I’m out. I’ve got some work to do.” And no offense to any of them, but hanging around in their vibe was just making him more depressed. Any more of this and he was going to start braiding the noose. Walking out, he paused in the grand foyer. Looked up the stairs. Tried to imagine his Marissa ogling some actor in his underwear. “Really. It’s fine. Good for her.” He took his phone out and called up their text string. Hesitating, he thought he’d just send her something, you know, to about something like this. Marissa wasn’t only the love of his life; she was a female of worth who would never cheat on him. And hello , it wasn’t like she’d checked into a seedy motel with the guy, for fuck’s sake. She was hanging with her friends just like he hung out with his. This was ridiculous. He was not the jealous type— The sound of shitkickers approaching had him glancing over his shoulder. It was Rhage, and the brother had a frothing glass of Alka-Seltzer in his hand. Hollywood looked up the stairs. And dollars for dipshits, he was thinking exactly what Butch was. “I’m going up,” the guy announced. “Now, wait, wait, wait.” Butch grabbed that huge forearm and squeezed. “It’s not like you can just burst in there.” “Why not?” “It’s girls’ night.” “So I’ll put on a dress.” “Fucking hell, Rhage. Really ?” Next out were V., John Matthew and Tohr. And everyone else, including Wrath—and even Manny, who, in spite of being a full-blown human, was right there along with the hound-faced rest of them. “We are not going up there,” Butch announced. “We’re going to go play some pool, and get drunk, and talk about all the kills we had in the attack on Brownswick. We’re going to have a great fucking night—day, whatever the hell it is. Now pick your balls up off the floor and let’s start behaving like men.” “He has skills. I’m just saying.” As Doc Jane spoke up, the captivated audience that was focused on the big screen was in total, very unmuted agreement. Payne let out another of her now-trademark wolf whistles. Xhex cursed and threw more Milk Duds at the image, yelling, “Damn, son, you get that shit! You get it!” Marissa just laughed again. She couldn’t decide what was more amusing, the movies or the company—probably the company. Although the humans were not hard on the eyes, she had to this hard. There was something about being with the girls that made the jokes both worse and better at the same time, and the giggling louder, and the silliness more stupid. All of which was a very beautiful thing, as it turned out. It also reminded her of how great it was to be accepted for exactly who she was, no external expectations laid on her, no shortfalls she hadn’t volunteered for cutting her down. No judgment, just love. Plus a number of naked guys who were almost as hot as her male? Not a hardship. When the final scene was over and the credits started to roll, they clapped like the actors could hear them all the way out in California. “Can you teach me how to whistle like that?” someone asked Payne. “You just put two lips around your fingers and blow,” the female replied. “Isn’t that a line from a movie?” somebody chimed in. “Are they going to do a third one—” “Magic Mike Ginormous—” “We need to watch one and two again first as prep—we’ve got a tradition to uphold—” “Anybody see Nine and a Half Weeks lately—” “What’s that—” One by one, they stood up from the padded leather recliners and stretched in the dim, windowless room, backs cracking, shoulders unknotting. And it was funny—Marissa felt the urge to cut through the conversation and say something profound and meaningful, just to acknowledge the space they’d been in. But the right words didn’t come. Instead, she said, “Hey, can we do this again?” Then again, maybe that was exactly what she meant. Well, what do you know, the peanut gallery was so on board: The rousing cheer was as loud as the hoots at the dance scenes, and the idea that this special time wasn’t a one-off made her feel a piercing kind of relief. “I think we need a Chris Pratt marathon next. Guardians of the Marissa wadded her empty Milk Duds box and made a rim shot with it into the trash. Abruptly, she realized that she couldn’t wait to see Butch—and not because of all the scenes of half-naked bodies. She missed him—which was ridiculous, considering neither one of them had gone anywhere. Heading for the door by the glass display of candy bars, she was smiling as she pushed open the— “Dear … God,” she blurted as she recoiled. The hallway beyond was filled with the males of the house, the Brothers and other fighters and Manny sitting on the floor with their backs to the bare walls, their legs stretched out, propped up, crossed at the knees or crossed at the ankles. Apparently there had been quite a bit of drinking going on, empty bottles of vodka and whiskey littered around them, glasses in hands or on thighs. “This is not as pathetic as it looks,” her Butch pointed out. “Liar,” V muttered. “It so fucking is. I think I’m going to start knitting for reals.” As the females emerged with her, each one of them registered shock, disbelief, and then a wry amusement. “Is it me,” one of the males groused, “or did we just perform our own mass castration out here?” “I think that just about sums this shit up,” somebody agreed. “I’m wearing panties under my leathers from now on. Anyone joining me?” “Lassiter already does,” V said as he got to his feet and went to Jane. “Hey.” And then it was group-reunion time. While the other pairs found one another, Butch smiled as Marissa came over to him and put out her hand to help him off the floor. As they embraced, he kissed her on the side of the neck. “Are you out of love with me now?” he murmured. “’Cuz I’m pussy-whipped?” She leaned back in his arms. “Why? Because you pined after me while I was watching a dirty movie with my girls that wasn’t all that dirty? I think it’s actually—and brace yourself—really pretty cute.” “I’m still all man.” As she rolled her body against him, she let out a mmmm as she and that meant a trip all the way downstairs, into the tunnel, and through the underground passage to get back to their bedroom. He wasn’t going to last that long. Not even close. The first available vacancy with any privacy came in the form of an unoccupied staff bedroom that had pulled drapes, a twin bed with no sheets on it, and a very handy brass lock. Butch didn’t bother turning the lights on; he just pulled his female against his body and kissed the ever-loving crap out of her as he kicked the door closed and worked that dead bolt like a pro. “I need you so bad,” he growled. “You’ve got me,” she said against his mouth. Fucking perfect, his cock roared in his pants. And talk about following orders: with a quick shift, he backed her up to the bed, sat her down and knelt in front of her. As he inhaled deeply, he started to laugh.“What?” she murmured, all half-lidded and wholly edible. “You’re aroused.” “Of course I am.” “You weren’t when you came out of the movie.” “Why would I have been? That was just good fun with the girls. Like going to a museum, you know? You appreciate the art, but you wouldn’t take it home with you.” “So I’m still your favorite flavor?” “You’re my only flavor.” Well, didn’t that make him go all robin-breasted, dick swing with the ego. Flashing his fangs, he said, “Now, that’s what I’m talkin’ ’bout.” “Were you really jealous?” she said. “Of a movie?” “Yes.” The laugh that came out of her was so easy and relaxed, such a happy sound, that it made him hope she and her girls got together again and, yes, to watch sexy humans gyrate on the screen, if that was what made his mate uncoil like this. Granted, he wasn’t about to write that Tanning Chatum guy a fan letter, but he was more than grateful for those females and that friendship. Anyone, anything that took care of his shellan was all right in body down on the little bed. He had a lot of plans that involved him going down on her for two hours—but his cock wasn’t going to be able to wait for all that. He needed in her. Now. Zeroing in on the fastening of her slacks, he had her naked from the waist down with some quick hand work and one pull down her long, lovely legs. And then his palms were traveling up her calves, her thighs. With a moan, she spread further for him as if she wanted this as badly as he did, revealing her bare, glistening sex—and that was when he lost his damn mind. Outing his erection, he went right for the heart of her, no preamble, no foreplay—they were both beyond ready. “Marissa,” he groaned as he penetrated her, sliding in deep, the sensation at once familiar and bracingly electric. Cursing on the exhale, he reared up and his hips took over, grinding, thrusting, pumping—and he loved how she held on to his neck and shoulders. “Take my vein,” she ordered. His fangs had already punched out of the roof of his mouth, and he bared them with a hiss. Striking in his favorite spot, on the left side, he drew deep, drank hard, got high on her taste as well as the sex. He couldn’t last long with that, though. Shit was getting too hard, too fast down below. Licking the puncture wounds closed, he repositioned her so he could go even deeper—then he grabbed onto her hip bones and dug in, pistoning her body, rocking things so hard the thin metal frame banged into the wall and the tinny mattress springs became a symphony of wild creaking. He heard her come, which was what he’d been after, heard that common, nothing-fancy name of his erupt into the sex-scented air—and he wanted to stop so he could feel that rhythmic gripping of her core. He was too far gone, though. His balls were tucking up and going hot, his pelvis was doing that autonomic jerking shit that he was no more capable of reining in than he could stop his own heart, and his cock was that bizarre combination of numb and hypersensitive— Butch came so hard he got a load of fireworks across his vision, and even as he started to ejaculate, he knew he wasn’t finished. He kept riding her, shifting positions again, arching farther over her body until his weight was braced on the balls of his feet floor. But again, there was no stopping. He just walked along with it—until the frame fit itself obligingly into a corner. Talk about some leverage. Fucking. Perfect. Butch kept going at it, pounding her, his body doing an uncoiling of its own, the weeks—and maybe, if he was honest, months—of feeling somewhat separate from her disappearing like he was fucking that subtle distance out of existence. Lot of orgasms. The fantastic ugly kind where your face screwed up hard, and you were going to be sore when you woke up, and shit got really, really messy down below. When it was finally over, he collapsed on top of her. He meant to roll over, though, so she could breathe easier. He really did. Yup. Rolling over would be good right now. Uh-huh. In three … two … … one.
Touch the Dark part 3
This is where it starts to get weird. Cassie goes off with
Louis-César
, Tomas, Rafe, and Mircea. When
Louis-César
touches Cassie to check her injuries, she is thrown into a vision unlike any other. Now she is
Louis-César
and he is having sex. She then experiences a night from his past in which a servant girl named Francoise is burned alive to prove a point to him. We later find out that this event was pivotal to his becoming a vampire as the girls family curses him with vampirism. When Cassie comes back, she and Louis-cesare are shaken. She goes to take a shower. Billy Joe comes back with lots of info for Cassie. First off, they are in Las Vegas at MAGIC headquarters. Someone is killing vamps by messing with the making of the vamps. Since the process is very delicate, someone is going back and changing it so that the bond between master and newbie is damaged…then in the future the vamps are attacking their masters. It seems that Rasputin wants to be the leader off the senate, but he cant do it the right way. So, he found a short cut and kidnapped an heir to the pythian court and is using her to go back and fuck the timeline up. Cassie doesn’t know it yet, but the pythian power is sentient. the heir is corrupt and Cassie is the juiciest choice for the power. Then Billy Joe tells Cassie that Jimmy the Rat is in town and about to be killed. Cassie has been looking for him for years because he was the one Tony used to kill her parents. So Cassie sneaks out of MAGIC headquarters to talk to him. He is at Tony’s Las Vegas Casino Dantes-which is based on Dante’s inferno. This night is going to become important and we are going to find out that certain scenes and times are pivotal. This will make Cassie return to through time multiple times and for multiple reasons. It makes for a crazy ride. So this time and place…the first night Cassie has the pythian power and Dante’s Casino are going to be spot one. Cassie interacts with people from other timelines in spot one. Its the first hint that things are going pear shaped
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