Death’s Mistress ch 1-2
– Hugo Vleck is a nasty creep and definitely deserved getting loved to pieces by dory
– why is it that the vamps working for mircea insist on being shitty to dory? Are they stupid? If they hurt her, mircea will fuck them up. If dory hasn’t torn them apart first. Idiots.
– “I’m tired, I’m hungry and I have a head in a bag. Do not fuck with me.” Probs the most iconic line in the series
– marlowe hate-crushing on dory is
– watching him try to puzzle out what dory’s secret is (how she’s able to escape after killing a master) is pretty great. Not being in on a secret is absolute torture for him.
– mircea: “radu mentioned that the two of you had grown…close.” Mircea: *aggressively avoids thinking about his daughter and a member of his vamp family doing the do*
– okay but I am wondering now how radu brought this up to mircea. Did he straight up tell him he walked in on LC teasing a naked and tied up dory? Probably not, right? He’d want to protect LC I assume. In any case, I’m sure the conversation was hysterical and I wish I could read it.
– I know LC had good reason to bail on dory but it’s still sad to see her feeling all rejected. Especially considering she’s not exactly one to get emotional about a love interest. ESPECIALLY a vampire.
– ah, Claire is back and she’s a motherfuckin dragon. Other than that, chapter two doesn’t do much. You find out dory has pretty officially adopted stinky as her own, and that she’s got a house full of trolls, but other than that…we’re basically just going to spend the next chapter or so catching up with Claire.
I SOOOO Love Dory! I love her kick ass no apologies style! I find the mind stuff to be a pretty big foreshadowing, but that’s just me! I love Radu…I love the way he blithely blunders along and somehow makes it all ok. It would suck to have this series without Radu’s kinda quirky super intelligent “director’s cut” explanations. I know that Mircea needs Louis Cesare and has taken advantage of the fact he’s family although that has also led to the isolation. I think that the reason Mircea put Louis Cesare and Dory together was to connect the two “red-headed stepchildren” and give them the support they wouldn’t take otherwise. I know how hard it must be for Mircea-to whom EVERYTHING revolves around family to stay out of Louis Cesare’s life so it follows the way it would have before Rasputin came along…
One of my favorite things about Dory is that we keep getting to see Marlowe ride the crazy train! And all the other underworld of vampires. It allows us to see the not so powerful and the fae…And it makes it so that we can really appreciate how far into the deep end Cassie plays! I mean shes surrounded by the Super old masters and the elite of the war mages and the Damn demon council.
I hate the fact that Claire isn’t recognizable at first…and I hate that we get to see Louis Cesare and Dory at odds. I hate that Louis Cesare has disappeared on Dory, but I love the fact that Dory puts the head on the letter opener…
Ok, thats it for now
Curse the Dawn ch24-25
Time to cry over CtD some more! It’s funny this is one of those books I don’t reread all that much (unlike htm which I can nearly recite by heart) so I’ve forgotten how really really good it is. I’m just enjoying it so much:
-chapter 24 – where do I start with this one? Rosier siccing the rakshasas on his kid and then wondering why he’s a great father, ummmm, WHAT IS WRONG WITH YOU?? Pritkin, once again trying to sacrifice himself for Cassie, that boy has a complex (side note: I love how KC follows through on things – she makes it very clear that Pritkin has something of a saviour complex, where Cassie is concerned anyway and it ultimately gets him killed. His sacrifice in HtM was actually super predictable and we really ought to have seen something like it coming. I mean, “It was the only reasonable course of action,” FOR REAL, who says that after almost getting themselves killed??). Plus, we have sudden, out of nowhere Casskin making out, which is essentially what I live for. Like most of the body swap stuff it’s simultaneously weird and sexy. Cassie is essentially getting to see the effect she normally has on Pritkin, and well, it’s hot. The ley line car chase is KC’s usual brand of breakneck pace, humour and adrenaline. I love how even Pritkin is freaked out by the whole thing.
– chapter 25 – I’m gonna have a stroke, there’s so much going on here. Marsden’s dog trying to attack Mircea. Mircea hugging Pritkin-in-Cassie’s-body. Cassie-in-Pritkin’s-body accidentally swearing at Mircea and pissing him off. Mircea pulling Pritkin-in-Cassie’s-body out of the room, presumably for some relieved reunion cuddles and from the sounds of things, gets slapped or kneed in the nuts or sth. Marlowe, dressed up and ready to party, wandering around offering everyone booze. Cassie talking shit in front of everyone: “What? You like wearing a bra?” Serious note – hasn’t Saunders turned up early? Cassie’s been saying all day that her meeting with Saunders is ‘tomorrow’ but this is still today right?? I’m confused. Less serious note – Marlowe trying to provoke Pritkin is one of the many many joys in these books, they should wrestle it out again. There could be some kind of oil involved … Uh, moving on. “Renegotiate this!” Epically silly line, 10/10, would put in trailer for movie adaptation which is sadly never gonna happen. Mircea kissing Cassie-in-Pritkin’s-body – either he’s very relieved that Cassie’s okay or he’s always secretly wanted to make out with Pritkin a little bit. I mean, who hasn’t?
So, Fist I have to say thank you to @windsurfingthroughhell for posting these awesome summaries on the reread. I suck at writing summaries. I discovered this when I tried to do a timeline for the Anita Blake series cause I kept getting confused. The software i used https://www.tiki-toki.com/ is amazingly awesome, But the free account only allows a certain number of entries. And by the time I got to the 4 or 5 Anita Blake books, I had hit the max. Which was totally insane. And those of you who saw my attempts for the Cassandra Palmer series, know I get lost in all the stuff.
I am hoping someone will make a Cassandra Palmer timeline for us all to share at https://www.tiki-toki.com/ since I already used my freebie, and that thing took weeks of work, so I don’t care if its incomplete, I ain’t deleting it.
SO, my original point is that I keep responding to these posts, cause it keeps me from dancing merrily along to my tangential brains music…So, I am not arguing points or tearing anyone down, OK? Just adding my two cents, and if I get a little vehement, it’s only because all of these characters mean something to me, even FRED for god’s sake…
From the beginning, Rossier confuses the shit out of me. So, the fact that Rossier, who hates Artemis and Cassie with a vehemence, is the vehicle through which Apollo is taken down is just Fucking Priceless. I think the fact that Rossier has antipathy towards Cassie and always jumps to “let’s kill her” is odd. I mean, theoretically he has been waiting all these years for SOMEONE to break through Pritkin’s self hatred and walls. But from the moment Cassie shows up, well its weird. It keeps getting weirder.
These chapters are my favorite part. We see so much stuff. It hard to even begin listing it or really digest it. I love Cassie, and its hysterical to see the vampires out of their element, the mages out of theirs and god so much more. I mean, theoretically they are all supposed to be working together but no one knows anyone else’s plan, they don’t even know who is who!
And seeing Kit Marlowe, spy extraordinaire still fucking lost-it just makes me giggle. I mean they are fighting gods, with Cleopatra and Jack the Ripper and all Marlowe can do is hand out drinks. He’s the stewardess on this flight to Ragnorak…And he keeps hitting his goddamned head, which is so fucking unfair. And he knows something is up with Pritkin, cause he isn’t responding right, but in his defense who’s first thought would be “That must be the pythia’s soul in the war mages body because of a chaos loving buddhist type god”? (Since we are on a reread, I will also say that I love it when Cassie and Mircea end up arguing in Marlowe’s office later, and he’s all “there is a god and he loves me”) As a second aside, does anyone else want to know how Marlowe’s ties to the witches just up and disappeared?
And then you add in the triple D’s and Apollo and running up how many goddamned floors with Prtikin in a dress?
And yeah I REALLY want Karen to write the Pritkin Pov of what happens in that bedroom between Cassie’s body, Pritkin’s Soul, and Mircea! Damnit, maybe there will be another event or opportunity to bring that up at some point when Karen has contracts for more books, and is looking for an idea…Sigh, who am I kidding? I don’t have the money to buy a swag bag, let alone…oh well, I digress
And when Mircea kisses Cassie in Pritkin, just WOW. I mean I know sexuality is probably mutable but still, to love someone’s soul so much that it transcends the physical…sigh again!
Anyways, I could go on forever, but who wants to read that? SO, thank you for giving me talking points and tell me where I’m wrong. I keep trying to do reread posts, but I read too fast and even though I am rereading the same stuff, each time i get a little bit different stuff.
Fiction
Penguin UK
April 2, 2009
400
Cassie Palmer, the world's chief clairvoyant, just can't seem to stay away from trouble. After trying to come to an agreement with the Silver Circle - the magical organisation that's been trying to kill her for years - she finds herself kidnapped by one of its members and swept away in the ley line system, a series of magical currents that occupies the space between worlds. Cassie manages to escape but, fearing for her safety, she decides to invest in a magical device for protection. However, all she can afford is a statue that grants wishes ...But what Cassie doesn't realize is that the statue doesn't always grant wishes the way the wisher would like. And when she wishes for the strength to shift herself and companion Pritkin away from a dangerous fight, the statue grants the wish by switching her into Pritkin's body and him into hers. And that's when the real trouble starts ...
“See…we’ve all been wounded.” Goddess, what an understatement. “We’ve all been violated. Me, Adrian, Cory, Renny—hell, even Nicky, and now you. It’s what happens when you’re given great gifts—wonderful, amazing, beautiful gifts. Great buggering git asshole fuckheads always want to steal those gifts for themselves. Being wounded means you held on, that’s all. Being wounded means you can heal. If we live long enough with these gifts, and we’re not wounded, it means we’re probably like Mist and Morana and Sezan and Goshawk and hell, even Titania and Oberon, although I didn’t know either of them more than to give them the best fuck available at court, right? If we’re not capable of being hurt, then we’re not good enough people to deserve the Goddess’s gifts in the first place. If you don’t know that you have something to lose, then maybe you deserve to lose it, and Blessed Father, Holy Mother, Beloved Son, all of us know what we have to lose, because we’ve all lost it at one time or another and none of us wants to feel that pain again…” And then he couldn’t speak anymore, because Bracken, who didn’t want to be touched, had pulled Green into his arms, and every vow Green had made not to weep anymore for his lost freedom and violated faith fell at his feet with his brother’s tears. Both of them held there, still, clenched together so tightly their muscles ached. And they held, and held, and held, until they could breathe freely and look clearly and know that neither of them would be weeping soon again. With an unspoken word, they both pulled back and resumed their human male posture on the couch, the screen.
Experiencing a dilemma
I’ve never faced before. Frankly I’m tired of love triangles. Mostly because there’s an obvious choice of who the main character’s gonna choose; mostly the reason there’s even a hint of competition is because the girl doesn’t want to hurt the non-chosen guy:
Jace or Simon—duh, Jace wins
Edward or Jacob–duh, Edward wins
Dimitri or Adrian–duh, Dimitri wins
Adam or Samuel–duh, Adam wins
Peeta or Gale–duh, Peeta wins
Barrons or V’laine–duh, Barrons wins
Bones or Tate–duh, Bones wins
Vlad or Maximus–duh, Vlad wins
And countless other I can’t even remember right now. Granted The Infernal Devices took a novel approach and has the main character get to be with both the men she loved (even though it was obvious she really really loved Will–and if forced to choose I think she would have chosen him in the end, but she got both)
My problem is: the Cassandra Palmer series.
One the one hand there’s Mircea who I admitted wasn’t in love with to begin with, but now…after everything I’ve read (including the Dorina Basarab series) I like him. I want him to be happy. I want him to be Cassie because he wants to be with her and she wants to be with him. I like him. Although I’m not too happy about where we were left with him in Tempt the Stars. I hope he’s not going to just abandon her. That doesn’t seem like the kind of man he is.
On the other hand, there’s Pritkin who I’ve kinda adored since book two, Claimed by Shadows. And my adoration for him has only gotten worse as the series has progressed. I absolutely love him. And I do think he’s gonna be the endgame. But I’m not sure.
And I’m torn.
Therein lies the problem.
I’ve never liked both of the guys for a single girl in a series. I may like a guy like say for instance Simon, but I never liked him for Clary. For Izzy, he’ll yeah, but never for Clary.
I want both Mircea and Pritkin for Cassie and I don’t know what to think.
Aaaggghh.
SO, I keep rereading this post. And I get the overall point, even those of us that “like” both the men in Cassie’s life equally have favorites. Sometimes, those favorites change from scene to scene but we have favorites. So, who do we root for? How do we want it to end…Well, I’m just gonna root for Cassie and however messily it ends up, as long as she’s happy I’ll be good…
But for the list at the beginning, I gotta say something. I am very happy for this writer that all choices seem crystal clear. For the rest of us, sometimes we don’t know who we are going to pick until after it has happened. Or, if you are me, it sometimes was one person on one read but the next time its someone else…
So, maybe, its mutable. Maybe, for some like Cat and Bones I didn’t even remember there was someone else. But for each one of those, I have an Anita Blake, or a Merry or a Corinne Carol-Anne Kirkpatrick. And there are messy crazy solutions.
And I don’t see Cassie going the way of the many loved. At least I don’t think so. But I’ll just keep reminding myself that I’m rooting for Cassie…and being mutable
[Top]Oh, Adrian. You bastard—you were supposed to be immortal. How could you leave me alone like this? The pain was devastating, obliterating, too huge to even contemplate, and yet it was there, crushing the breath out of my chest. I inhaled on purpose, and my very breath hurt. I screamed, sobbed, felt that amputated link between us, and knew that Adrian wouldn’t be there and never would again.
Dory and Dorina – what happens when you’ve been cut off from half of yourself for 500 years
[Top](Not sure
whether it’s right to write about Dorina and Dory as two different characters
when we still know so little about Dorina, but anyway, here goes)When
reading Fury’s Kiss for the first time, there were these passages that
frustrated me immensely. I can see why Dory naturally assumed that it was
Dorina attacking her in her own mind – she’s only ever “seen” Dorina that one
time at Radu’s estate, plus some jumbled memories from before the divide – and then
there’s the waking up surrounded by bodies thing… But I didn’t wanna believe
Dory. Because those few glimpses we get from Dorina’s POV just don’t fit the
picture of the bloodthirsty maniac that Dory has of her other half. Sure, she’s
good at what she’s doing, which in the situations we see her in is mainly
fighting, and also killing when necessary (no one to mourn there, though). But
so is Dory herself, and Louis-Césare, and loads of other characters.Dory fears
Dorina based on very little actual proof, namely on her surroundings when
waking up and on what’s probably nothing more than hearsay. I doubt that Dory
has ever talked to anyone who met Dorina and lived to tell her about it except
for Mircea, and of course Dorina doesn’t react all too well to him as he is the
one who imprisoned her in her own head (with good cause, insists my inner
Mircea fan, but does Dorina know that?). And even given his, and later
Louis-Césares, scant experiences with Dorina under very stressful
circumstances, they don’t think she’s irrational, or cruel, or bloodthirsty, or
any of the things Dory assumes about Dorina. Just… good at what she’s doing…
So I wonder, as Dory was so spectacularly wrong about Dorina based on little
evidence, what was/is Dorina’s take on Dory based on pretty much nothing at
all?Dory
speculates on this at some point, but given the situation she was in at that
point and her generally skewed perspective on this, I doubt that her views are
all that accurate. This is going into speculation territory fast, so let’s see
what Dory thinks are Dorina’s feelings about the person she shares a mind with:“Maybe she
hated my weakness, my humanness, as much as I hated her vampire-ness […]
Maybe instead of a crawling bug, she viewed me as a more insidious kind – a leech,
taking her strength, her energy, her prowess, and squandering them.”First of
all, Dorina doesn’t seem as preoccupied with Dory as vice versa. She doesn’t
think at all about her alter ego, which for me is something that contradicts
Dory’s assumption that Dorina has nothing but contempt for her. When Dorina
takes over their body for her nightly trips in search of the angel child, she
shows no sign of hate or anger at Dory for being handed a damaged body. She
just… rolls with it, I guess. Which she’s certainly capable of. So that
speaks against Dory’s theory that Dorina views her as something “usurping” her
body and then giving it back broken because she’s so utterly incapable. I’m not
sure how aware Dorina is while Dory is in control (although I think there must
be something subconscious going on because she fights harder to get out when
they are in danger?), but it doesn’t seem to be enough to always know what Dory’s
up to and why, so she can’t know what Dory does with their body while she’s
absent. She doesn’t seem to be too interested, either, never makes an effort to
get an explanation for the situation she’s been put in. So I think indifference
would be a better description for Dorina’s attitude toward Dory than contempt
or hate. And then there’s the fact that in Fury’s Kiss, Dorina always brings
back their body before the night is over, although she’s not technically forced
to, not being bound by the sun cycle and all. So maybe I’m over-interpreting
this, but I think it shows that Dorina tries not to mess up Dory’s life too
much and sees Dory’s goals as important, too.“Living a life
no master vampire would have considered for so much as a moment, with no
family, no servants, no respect.”We know
that Dorina does want a family, which is why she tried so hard to rescue the angel
child she found at the beginning of Fury’s Kiss. We also know that she tends to
look down on others, regardless of their race, and that she’s especially
suspicious and to a degree contemptuous towards vampires. But I think Dory gets
it wrong here. Dorina wants a family not/less for the prestige and power that
it brings, but because she’s lonely. Those times she comes out, she never has
the opportunity to form bonds with anyone, and most of the time she’s locked up
inside her head, so no chance at finding someone to belong with. I don’t know
what kind of power the child might have had, but it’s obvious that she doesn’t
try to find it because of what it might do to improve her status. She does it
because she feels protective, and because she hopes there might finally be
someone who doesn’t freeze in terror at the sight of her (and is therefore weak
and unattractive to her), treats her with contempt or threatens her with
imprisonment or worse.“I wondered how
she’d felt about [dhampirs not having status]. How she’d liked having even baby
vampires look down on us, watching them insult us, denigrate us […] knowing
that we – that she – were perfectly capable of destroying the lot of them.”Here’s
something that Dory might have gotten right because it’s something that they
share. Dorina surfaces when she senses Louis-Césare acting disrespectfully and treating
her as if she was weak, and is placated by his apology and gesture of
subordinance. Dory gets angry, too, when vampires don’t treat her as the very
capable and potentially dangerous person she is, like when she went to see
Mircea and slammed that arrogant guard through a wall. They both hate it that
they’re treated the way they are by vampire society, and they both react
accordingly, although Dory naturally assumes that Dorina’s reaction is way
worse than her own. So, the starting point for this assumption is probably correct,
but her conclusion is not. Again, I’m guessing, but as is evident from the end
of Fury’s Kiss, Dorina not only doesn’t seem to hate Dory, but develop some
kind of tentative… respect, maybe? for her other half. They cooperate when
fighting Lawrence (which is a survival necessity, yes, being of one body and
also mind, more or less) and instead of trying to subdue Dory, or in any other
way even making contact with her, Dorina vanishes after the fight, maybe
mourning her own losses. There’s no hate or contempt there, just a profound
feeling of being estranged. Which, considering the last five hundred years,
seems like a good starting point to try and move toward each other again after
being cut off from half their selves for so long.
Review
Posted on goodreads bc Amazon would not let me for some fucking reason. So, *ahem*….
Bought ARC through Read the Pixels event.
Absolutely great book. Let’s start there. This is the second half of the previous book that, due to length, the publisher forced Ms. Chance to break in 2. Ride the Storm is over 600 pages, not a quick read. Whereas the last book set up everything with only a few bits of plot resolved, this book went forward in leaps and bounds. It was fast paced and detailed. There is betrayal and heartbreak, revelations about her parents and others in her life. We meet new characters that may forever change the dynamics Cassie has with the Circle and Jonas. New allies are picked up along the way and Cassie puts in motion ways to protect her old ones from “friendly fire”. I absolutely loved this book…..BUT it does take a while to get several big story arcs concluded. There were a few times that I felt there were extra pages and details that seemed superfluous to the point while reading I had wished the author was able to combine one of two events so to trim down a hundred pages. Overall a good 4 out of 5 stars. It would have been 4.5 out of 5 but the small cliff hanger at the end (set up like the ones in the early books) was annoying especially since it relates to one of the main story arcs that had only partially resolved. The ambiguity made me want to grind my teeth.
I highly recommend this book to read especially if you were upset about the lack of resolution in the previous book.
***Mild spoiler below****
This book will nearly resolve the love triangle. I say nearly because the small cliff hanger at the end implies complications that may hinder her choice. It may not be what you expect or what you hoped for.
Ok, so this is helpful…of course for those of us who have been waiting a long time, we kinda knew most of that. Given that Karen has been diligently plugging away at the publisher for a long time…I would have been shocked if it was LESS than 600 pages. And given that Karen isn’t sure of publishing another one…well the cliff hanger is gonna suck! No, honestly…
[Top]I can’t stay silent…Please read!
For me, the Holocaust is a real emotional thing. I had no grandparents growing up, but we spent lots of time in our apartments in Miami in a Jewish enclave, I guess. It was a gated community on North Miami Beach with three towers, a little convenience store, a restaurant and pool, and Dock slips for boats. And so my babysitters were retired Jewish retirees, most of whom were holocaust survivors. I was 2 or 3, the first time I heard of the Holocaust. I was spending the night with the Fusses, whom I called Grandma and Grandpa Fuss. I had taken a number and written numbers on my arm, to be like them. I didn’t understand why it horrified these two Holocaust survivors. I still remember the tears pouring down Grandma Fusses face as she scrubbed my arm with a sponge from the kitchen. Eventually, I learned their story. Two people who were the only survivors of their families who found love after the camps. I heard about their parents and siblings who died in the camps. I remember that one of their sisters was a ballerina. She was a teenager when she went into the camps and she ade it through the initial separation because a guard thought she was beautiful. As an adult, I know what that meant but as a child I remember thinking it was so beautiful that she gave the food to her sister. He would take her to his office and have her dance for him. She would come back with extra food for grandma Fuss and cry herself to sleep. She never made it out of the camps. And though it hurt, Grandma Fuss to tell me that story, she did it in whispers and with tears. She told me it was my job to remember her sister, the ballerina, always and forever a teenager.
I was in 1st grade before I thought of it again, in a meaningful way. I went to school in our temples basement in Dunwoody, Georgia. and one Monday we didn’t have school. Over the weekend someone had broken in and defaced desks, couches and chalkboards with swastikas. I saw that symbol and remembered Grandma Fusses tears. And I knew that it was evil and I was hated. I never understood what those teenagers were thinking as they painted a symbol of hate or scratched it into surfaces.
I am shocked and horrified at the news today that Hitler never gassed his own people. I know that is not true. I am one generation removed from the survivors. Their children were my parents generation. As we remember our flight from Egypt this week, so too do Jews remember the Holocaust. Last year, Elie Wiesel , a Holocaust survivor, and Nobel Laureate author, died. He has many quotes…too many to list about why Jews wrote down their memories for my generation and forward. Read his Nobel speech, or even just the quotes that come up on google. We remember the generation lost. All 6,000,000 of them. Men and women, Mothers and Fathers, Children and Artists, Brothers and Sisters.
But I want to be real here. These are the approximate numbers:
Number of Deaths
Jews: up to 6 million
Soviet civilians: around 7 million (including 1.3 Soviet Jewish civilians, who are included in the 6 million figure for Jews)
Soviet prisoners of war: around 3 million (including about 50,000 Jewish soldiers)
Non-Jewish Polish civilians: around 1.8 million (including between 50,000 and 100,000 members of the Polish elites)
Serb civilians (on the territory of Croatia, Bosnia and Herzegovina): 312,000
People with disabilities living in institutions: up to 250,000
Roma (Gypsies): 196,000–220,000
Jehovah’s Witnesses: Around 1,900
Repeat criminal offenders and so-called asocials: at least 70,000
German political opponents and resistance activists in Axis-occupied territory: undetermined
Homosexuals: hundreds, possibly thousands (possibly also counted in part under the 70,000 repeat criminal offenders and so-called asocials noted above)
But, Hitler never used chemical weapons on his own people
https://www.quora.com/Why-should-we-never-forget-the-Holocaust
Author Scott Lynch responds to a critic of the character Zamira Drakasha, a black woman pirate in his fantasy book Red Seas Under Red Skies, the second novel of the Gentleman Bastard series.
The bolded sections represent quotes from the criticism he received. All the z-snaps are in order.
Your characters are unrealistic stereotpyes of political correctness. Is it really necessary for the sake of popular sensibilities to have in a fantasy what we have in the real world? I read fantasy to get away from politically correct cliches.
God, yes! If there’s one thing fantasy is just crawling with these days it’s widowed black middle-aged pirate moms.
Real sea pirates could not be controlled by women, they were vicous rapits and murderers and I am sorry to say it was a man’s world. It is unrealistic wish fulfilment for you and your readers to have so many female pirates, especially if you want to be politically correct about it!
First, I will pretend that your last sentence makes sense because it will save us all time. Second, now you’re pissing me off.
You know what? Yeah, Zamira Drakasha, middle-aged pirate mother of two, is a wish-fulfillment fantasy. I realized this as she was evolving on the page, and you know what? I fucking embrace it.
Why shouldn’t middle-aged mothers get a wish-fulfillment character, you sad little bigot? Everyone else does. H.L. Mencken once wrote that “Every normal man must be tempted at times to spit on his hands, hoist the black flag, and begin slitting throats.” I can’t think of anyone to whom that applies more than my own mom, and the mothers on my friends list, with the incredible demands on time and spirit they face in their efforts to raise their kids, preserve their families, and save their own identity/sanity into the bargain.
Shit yes, Zamira Drakasha, leaping across the gap between burning ships with twin sabers in hand to kick in some fucking heads and sail off into the sunset with her toddlers in her arms and a hold full of plundered goods, is a wish-fulfillment fantasy from hell. I offer her up on a silver platter with a fucking bow on top; I hope she amuses and delights. In my fictional world, opportunities for butt-kicking do not cease merely because one isn’t a beautiful teenager or a muscle-wrapped font of testosterone. In my fictional universe, the main characters are a fat ugly guy and a skinny forgettable guy, with a supporting cast that includes “SBF, 41, nonsmoker, 2 children, buccaneer of no fixed abode, seeks unescorted merchant for light boarding, heavy plunder.”
You don’t like it? Don’t buy my books. Get your own fictional universe. Your cabbage-water vision of worldbuilding bores me to tears.
As for the “man’s world” thing, religious sentiments and gender prejudices flow differently in this fictional world. Women are regarded as luckier, better sailors than men. It’s regarded as folly for a ship to put to sea without at least one female officer; there are several all-female naval military traditions dating back centuries, and Drakasha comes from one of them. As for claims to “realism,” your complaint is of a kind with those from bigoted hand-wringers who whine that women can’t possibly fly combat aircraft, command naval vessels, serve in infantry actions, work as firefighters, police officers, etc. despite the fact that they do all of those things– and are, for a certainty, doing them all somewhere at this very minute. Tell me that a fit fortyish woman with 25+ years of experience at sea and several decades of live bladefighting practice under her belt isn’t a threat when she runs across the deck toward you, and I’ll tell you something in return– you’re gonna die of stab wounds.
What you’re really complaining about isn’t the fact that my fiction violates some objective “reality,” but rather that it impinges upon your sad, dull little conception of how the world works. I’m not beholden to the confirmation of your prejudices; to be perfectly frank, the prospect of confining the female characters in my story to placid, helpless secondary places in the narrative is so goddamn boring that I would rather not write at all. I’m not writing history, I’m writing speculative fiction. Nobody’s going to force you to buy it. Conversely, you’re cracked if you think you can persuade me not to write about what amuses and excites me in deference to your vision, because your vision fucking sucks.
I do not expect to change your mind but i hope that you will at least consider that I and others will not be buying your work because of these issues. I have been reading science fiction and fantasy for years and i know that I speak for a great many people. I hope you might stop to think about the sales you will lose because you want to bring your political corectness and foul language into fantasy. if we wanted those things we could go to the movies. Think about this!
Thank you for your sentiments. I offer you in exchange this engraved invitation to go piss up a hill, suitable for framing.
Here follows is a non-comprehensive list of historical female pirates and sailors, women of color first:
- Ching Shih (1775-1844): controlled south China seas, had 80,000-man fleet at her disposal, outlawed rape, extorted retirement package from the Chinese government.
- Sayyida al-Hurra (1482-1562): Pirate queen of Morocco who bedeviled Portuguese and Spanish fleets after being kicked out of Spain by Ferdinand and Isabella in her youth.
- William Brown (1800s, birth name unknown): married Grenadan woman who disguised self as man after fight with her husband and became a sailor.
- Jacquotte Delahaye (1600s): half-Haitian woman who, according to some sources, took over an island and led a force of hundreds of pirates.
- Hingyuon (1800s): Filipina warrior/probable pirate who led armies in Cebu; relative of Humabon, “first truly wealthy person in Cebu”
- Lai Choi San (1900s): Chinese pirate who commanded 12 ships and was a model for the Dragon Lady archetype; thinly-sourced
- Mary Lacy (1740-1801): willful bisexual runaway who became first female shipwright; disguised self as man but claimed pension under own name
- Alfhild (400s): Viking princess who decided to become a pirate instead of getting married.
- Anne Dieu-le-Veut (1661-1710): French pirate who fought along Laurens de Graaf for many years.
- Anne Bonny and Mary Read (1700-1782, c.1690-1721): probably the two most famous female pirates of all time
- Granuaile aka Grace O’Malley (1530-1603): Irish pirate queen who led rebellions against England, personally negotiated with Elizabeth I, gave birth on a ship.
- Cecilia Vasa (1540-1627): Swedish princess who got into endless scandals, became a pirate briefly, was utter black sheep, hated the English.
- Mary Patten (1800s): Took control of ship when her husband suffered mutiny, learned medicine, navigated to port, all while pregnant
- Christina Anna Skytte (1643-1677): Swedish baroness and pirate, very ruthless
- Jeanne de Clisson (c.1300-1359): burnt down much of the Normandy coast and sank a ton of ships after her husband was killed.
- Charlotte Badger (1778-?): Australian convict/single mom who took over ship, sailed to New Zealand, settled with Maori tribe.
In conclusion: read a goddamn book, critic person.
You know, the trolls on the internet are not good people. Nor are they sane!
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