I have had the pleasure of getting an advanced reader copy of Fantastic Hope, the new paranormal anthology that was released on April 7, 2020. This arc was provided via Netgalley, the best place for reviewers and avid readers to get and review new books. This anthology is a great way to be introduced to a wide variety of authors and writing styles. You may just buy it for one author and find a whole new library to read during this uncertain time. With a wide variety of bestselling authors this anthology has a lot of bang for your buck. While I could go crazy with this book review and write pages upon pages and bury you in paper, time is at a premium. This anthology is a great way to get acquainted with a number of authors and their writing styles. You may buy it for the latest in one series and end up with a new series to read, to love, and maybe even obsess about. These authors each have unique backgrounds and those backgrounds inform each story with details that will delight readers, . Rather than going through each story and providing spoilers that might make longtime fans and new readers alike angry, I will cede this space to a part of the Foreword and the words of the editors. “It’s a place where the hero wins, the bad guy is punished, and the monsters are only real while you’re reading the story. You can close the covers and be safe. Unlike the real terrors of the world online and in the news lately…welcome to a collection of stories where you can find hope, happy endings, loyalty, freedom, love, all the positive things that make the best of us. Welcome to thrilling adventures and a modern take on two-fisted adventure stories…Have faith in yourself, in the people who love you, in magic, in religion, in Deity, in science, and in things harder to label with just one word. Believe that there will be smiles after the tears, joy after the pain, and that it will all work out, that good will triumph and evil will not win forever…You’re holding people’s dreams in your hands, dreams made real for you to read and share. I hope you enjoy reading them as much as I did.” Laurell K Hamilton “Laurell is a big proponent of people doing their therapy and working through their shit. We sat over lunch and talked about the depressing stories that seemed to be everywhere, in the news and in fiction, and lamented that there weren’t more uplifting stories… Laurell and I are both survivors and we know that the world is not all unicorns, rainbows, and glitter. but we also know that there is light at the end of the tunnel and that the darkness can be pushed back, even if it starts with a spark….I hope that in this book you find a story that speaks to you that reminds you that tomorrow is a new day with new opportunities.” William McCaskey Believe again. Dream again. Know that you have the power to do the impossible and conquer your demons. Start a new relationship with favorite authors and new voices. Start here.
Cassie Palmer can see the future, talk to ghosts, and travel through time--but nothing's prepared her for this. Ever since being stuck with the job of pythia, the chief seer of the supernatural world, Cassie Palmer has been playing catch up. Catch up to the lifetime's worth of training she missed being raised by a psychotic vampire instead of at the fabled pythian court. Catch up to the powerful, and sometimes seductive, forces trying to mold her to their will. It's been a trial by fire that has left her more than a little burned. But now she realizes that all that was the just the warm up for the real race. Ancient forces that once terrorized the world are trying to return, and Cassie is the only one who can stop them...
Let’s take a second and catch up to the storyline when Grave Ransom starts. Alexis Craft started out as a grave witch at the beginning of the series—one who is able to make “death” and other ghosts visible. She is the daughter to the governor, but since he is a fae hiding as a human and a member of the “Humans First” Organization which demonizes all things magic witches and fae included, he has distanced himself from her and created a clean identity for her that buries their familial ties. But as weird cases start cropping up, Alex is slowly revealed to be more than just a Grave witch. She is actually fae and a plane bender. This means that she is able to merge realities. And since there has not been a plane bender in a really long time, all of the fairy courts want her to join them. The most vehement of these is the Winter Queen, who badly wants Alexis to join her court. In the first novels it is revealed that the annoying Fae Investigation Bureau agent who has been driving Alex crazy is actually the Winter Knight, but not before Alex and he begin a sexual relationship that quickly develops into true love. But the Winter Knight is bound to the Queen and must follow her orders in all things. This has led to a horrible situation for Alex and the Winter Knight. And , just to complicate things a little more, through the series Alex’s relationship with the soul reaper whom she calls Death has also become a physical and sexual one.
This book was a great addition to the series, but unfortunately ends on a somewhat sour note. I am trying really hard not to write spoilers in this review, but its’s difficult. In this book, Alex goes up against a true necromancer who is putting peoples souls in other peoples bodies. In her quest to find the necromancer, she and Death end up on opposite sides of the issue.
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Grave Ransom
Alex Craft
Kalayna Price
Penguin
July 4, 2017
384
In the thrilling new novel from USA Today bestselling author Kalayna Price, Alex Craft comes face-to-face with the walking dead.... Grave witch Alex Craft is no stranger to the dead talking. She raises shades, works with ghosts, and is dating Death himself. But the dead walking? That's not supposed to happen. And yet reanimated corpses are committing crimes across Nekros City. Alex's investigation leads her deep into a web of sinister magic. When Briar Darque of the Magical Crimes Investigation Bureau gets involved, Alex finds herself with an unexpected ally of sorts. But as the dead continue to rise and wreak havoc on the living, can she get to the soul of the matter in time?
“but fairy tales only end well. While the story is going on, horrible things happen. Remember Rapunzel? Her prince got his eyes scratched out by the witch, which blinded him. At the end of the story, Rapunzel’s tears magically restored his sight, but that was at the end of the story. Cinderella was little better than a slave. Snow White was actually nearly killed four different times by the evil queen. All anyone remembers is the poisoned apple, but don’t forget the huntsman, or the enchanted girdle and the poisoned comb. Pick any fairy tale that’s based on older stories, and the heroine of the piece has a miserable, dangerous, nightmarish time of it.” Laurell K Hamilton, Swallowing Darkness
Once more for all my friends who are struggling, just remember you are in the middle of your story
@bestbooklover
Once he is healed enough to actually take control of the sex he is still not willing to let Cassie in at all. Cassie trusts him to not kill her but he doesn’t and he doesn’t want to get any more vulnerable to Cassie and so he limits it to oral sex and her orgasm.
Yeah good point. While Rosier’s prohibition was still in effect, that applies to demon sex, so he was held back more by his own figurative demons I think. It also highlights that Cassie and Pritkin never really make a conscious decision (about being intimate) that they commit to. Without external pressure, neither of them would initiate it.
@windsurfingthroughhell said:
Idk, I just have weird and particular ideas about consent and autonomy. I don’t like people making choices for Cassie, especially as regards her body, but this particular instance of it bothers me less than say, that Mircass scene in TtD, because Pritkin didn’t compromise her ability to consent, Rosier did, and he also apologised for it later
As @bestbooklover mentions, Cassie consented to the process at the start. What I’m curious about is why we’re all focusing on Cassie, when she was a deliberate, initiative-taking active party in the whole ordeal. It was Pritkin who was unconscious, who had his body intimately handled without his awareness or prior consent. He didn’t ask Cassie for sexual help, even though he could have; he would have never touched her in any of the scenes if not for Cassie’s demands/actions to ensure that he does.
And even when he does yield to her, he is clearly very conflicted. He is torn and upset, more so than Cassie ever was about any of her sexual encounters. It is him, not Cassie, who is broken and guilt-ridden and angry and catatonically traumatized in the shower, it’s not Cassie who needs comfort, it’s Pritkin. And Cassie has just forced him to relive his worst nightmare and do things he hates and shuns on his own volition.
I did make a satire post about this around April to illustrate double standards and biases, but since nobody addressed Pritkin’s consent, it proves that this topic might be worth a more serious post. I’m not sure whether it’s actually the books or the fandom that focuses so much on Cassie’s more minor experiences and ignores far more traumatic events for other characters, but consent should be a non-gendered topic, just like physical violence (the trivialization of which Cassie also does in the books).
Yay! I love it when we all start talking!
@freespeechfandom has some valid points. As we move through the books, there are some issues regarding Pritkin’s consent. However, if we waited for Pritkin to agree to be healed through his incubus side by Cassie-he would have died first. Pritkin definitely has a hero complex and has consistently maintained that Cassie would be better off letting him go. I agree that consent is a two sided issue and would love to see a well adjusted Pritkin so we could discuss his consent without his suicidal starving of his incubus and his outright denial of his feelings for Cassie.
As for why I keep talking about Cassie-in my opinion the whole series is about Cassie. So I am cassie-centric in my thoughts and posts.
I think Cassie supports Pritkin in the shower. I think she tries as hard as she can to be his friend. Now admittedly Cassie jumped into the deep end of friend and love interactions from the time she first comes to the Senate against her will. Cassie has never had a friend or a lover or even a real bodyguard other than Billie Joe and a hell raising, card cheating ghost from the 1800′s isnt exactly the best template for friendship.
I will be the first to admit that within the books there are boundary issues all around and there is more than enough for everyone!
I’m doing my review for both chapters (a) because I’m lazy and behind on my posts and (b) because I usually read these two chapters together anyway and I have trouble separating them in my mind.
Chapter 26 is is kind of a strange chapter, because you have such a contrast between what is happening and why it is happening. Cassie and Pritkin have sex, and it’s very intimate, but the reason for it is because it’s the only way to save Pritkin’s life. The contrast heightens the tension exponentially. The whole chapter feels on edge – will this actually save Pritkin? Will he go too far and kill Cassie by accident? Will Caleb interfere?
And to make an already awful situation even more difficult, Rosier shows up and puts a compulsion on Cassie. It’s kind of squicky, and he doesn’t help anything by saying “Let Daddy help”, but I appreciate that he wants to save his son. It gets the job done, and that’s honestly the focus of both Cassie and Rosier at this point.
Okay, I admit – I am shipper trash enough to squee over Cassie and Pritkin having a sexual encounter. But Chapter 27 moves us from the hot-but-dangerous sex to the emotional fallout. And, oh man. There is some serious fallout.
This is the chapter of emotional intimacy, and KC does not pull her punches. I’m talking, of course, about the one and only shower hug scene.
*deep breath*
I don’t think there has been another scene with the emotional weight of this one. KC has written dozens of other scenes that make me feel all the feelings, but this is the one that catches my attention before any of the others.
Cassie and Pritkin are kind of literally and emotionally naked with each other, and KC shows us this with almost no dialogue. In a few short paragraphs, we clearly see how much they care about each other and depend on each other, and not just in the saving-each-other way. The depth of their trust in each other is so obvious here. Both of them tend to repress a lot, but they don’t tend to hide from each other. It’s a gorgeous scene, and one that I love to reread often.
The whole thing about Caleb being there has always been vaguely squicky to me but a lot of Casskin sex scenes do have this discomforting edge to them? This dubcon element that’s not really either character’s fault, but which makes me uneasy when reading them, no matter how sexy the scene might be – it’s so tragic really, that they never get to be with each other just for the sake of being with each other. Well, so far.
A side note though – Pritkin is aware that Cassie isn’t in a position to give informed consent and he tries really hard to avoid doing anything that might feel like a violation to her later (it doesn’t but I think Cassie is more okay with having her body used by other people than I would be). I’m not sure whether he could safely have waited for the influence to wear off, but the key thing for me is that he apologises later. Cassie may not feel that he did anything wrong, and he was forced into a situation where he had to make that choice, but I think, and I suspect Pritkin also thinks, that it’s still a choice he didn’t have the right to make. Idk, I just have weird and particular ideas about consent and autonomy. I don’t like people making choices for Cassie, especially as regards her body, but this particular instance of it bothers me less than say, that Mircass scene in TtD, because Pritkin didn’t compromise her ability to consent, Rosier did, and he also apologised for it later – he acknowledged that it wasn’t a good situation, even if it wasn’t his fault. (of course Pritkin isn’t always perfect when it comes to consent – his 18th century self had some Issues in that regard that I wanted to talk about in EtN but then I missed those chapters, so I’ll probably bring it up in RtW when it becomes relevant).
I also appreciate that they get to have some serious fall out from this uncomfortable (albeit sexy) scene? They get to talk about their feelings, reaffirm an emotional connection, and they comfort each other. It’s wonderful.
Anyway, I 100% agree about The Shower Hug. It’s emotional destruction on an epic scale. And you know what? I never picked up on the symbolism of them being naked (or mostly naked, in Cassie’s case). Pritkin’s at his most vulnerable physically and emotionally. Damn it!
OK, So standard disclaimers apply…and you all know all of them 🙂 So, yes this is a really uncomfortable scene. You have got Pritkin unconscious and dying, war mages wanting to try magic and Cassie losing her everloving shit. For the first time ever the war mages actually listen to Cassie and let Caleb drive a dying Pritkin and wounded Cassie away. Rossier being there to help out yeah it’s squicky but given the state Pritkin is in and the state Cassie is in I’m glad Rossier stepped in. Yes it adds complications because Cassie’s consent is iffy, but in my opinion Cassie give’s consent when she starts the whole ball of wax arolling, so later consent is not really needed. She wanted to save Pritkin and by g-d she was saving his ass come hell or high water! Caleb’s freak out is annoying as hell but we need Caleb to know about Pritkin later so it works for me. I’m a little disappointed in Pritkin here. (cue screaming from others on Tumblr) Once he is healed enough to actually take control of the sex he is still not willing to let Cassie in at all. Cassie trusts him to not kill her but he doesn’t and he doesn’t want to get any more vulnerable to Cassie and so he limits it to oral sex and her orgasm. I love the fact that Karen Chance doesn’t allow Pritkin to withdraw and distance. I love the fact that after the life and death sex or die Cassie is able to be Pritkins’s emotional support in the shower. That’s more important than the sex in some ways. cassie is not letting Pritkin distance himself from her and withdraw or take the fault for this…Cassie is not going to let him make this a reason to withdraw further or add it to his noble reasons to withdraw from the field. I think this whole thing shows Cassie growing into her power. making the war mages do what she wants, making Caleb listen, bossing Rossier and Pritkin around and still declaring her independence from Mircea (don’t forget that all of this started with the rebellion and pizza)…as an aside to that given that Pritkin just told Cassie in their comical conversation over pizza there will be no more sexual healing slip ups leads to the most sexual of their healing slip ups…can anyone say irony? I am tired and my brain is stalling so this will be my two cents for a while…Please feel free to argue with me, as all of our perspectives make the reread all the more fun
So, of late I have been watching a lot of netflix. I usually don’t because I’m reading or rereading something. And as a book addict, well I sort of agree with all book nerds that the best things lie between the covers, movies never live up to the original form and TV is a form of the deliberate dumbing down of America. So when I found myself sick and reading was too much effort-I started watching netflix shows (on my 13 year olds netflix account). Once I got past the shock of some of the shows I didn’t know she was watching, I started looking at shows for me. And I found myself watching “Good Witch” from the Hallmark Channel. It’s a plucky story of a widowed mom who lives in a quirky town with her 15 year old daughter and her two older stepchildren who are out of the house. Catherine Bell is a witch in this small town who decides to open her home as a Bed and Breakfast. As I watched episode after episode of this show I realized it’s a sanitized version of the Gilmore Girls. Instead of sarcastic wit and insane townspeople, we have magic feelings and sappy story lines. No one is having sex, but we have a lot of townspeople working together to bring bizarre festivals to life. And I realized that this dichotomy is one we are facing in everything today. Instead of sarcastic banter we have vitriol. Instead of challenging plot lines we have super heroes. And instead of leaving each episode of a favorite TV show feeling a little bit guilty for enjoying all the pop culture banter and the snarky commentary of Lorelai and Rory–we have this empty feeling as though that’s an hour we will never get back…
Mircea has a daughter! That’s who Cassandra saw in the photos in the “Cassandra Palmer” series. Dori Basarab is quite the rebel. She drinks beer and smokes weed, in part to quiet down the negative side effects that come with being a Dhamphir. Dhamphir’s are susceptible to blackouts and uncontrollable rage. In the book, her best friend goes missing. Along with a friend of Mircea, she sets out to find that friend and do her father a favor that can cost her, her life. Another great K.C. novel.
– I like how LC and Dory just have such instant chemistry. Much and all as I love a slow burn relationship, the immediate connection they have is undeniably fun. The sexy teasing, the fighting, the caring about each other way too much way too quickly, like I said before, it just draws you in right away.
– these chapters introduce us to my favourite location in the entire chanceverse, Uncle Pip’s house. I love enchanted buildings, and the portals, the ley lines, the house with a personality, the incredible hulk cats – they’re so much FUN, so vivid and alive.
– I enjoy Dory’s pragmatism. For all that she’s always ready to fight, she has no problem cutting and running when necessary either.
